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Winners
Entrance requirements
Judges

'Once upon a time' wins the Commons-sense/Creative Commons South Africa Digital Arts Competition

The winner of the Commons-sense/Creative Commons South Africa Digital Arts Competition has just been announced. The winner is Tessa Comrie with her 60-second video incorporating stop-frame and computer animation entitled, 'Once Upon a Time' (download mpeg here). Runner-up of the competition is Nicholas Nesbitt with his multimedia entry entitled, 'The Electronic Diary of Kidu' (view here).

Competition winner, Tessa Comrie is a student at the Rhodes University Department of Fine Art. She developed her entry for a UNESCO workshop entitled 'Africa Animated' in June this year. The workshop was run by local and international animation and film gurus and was attended by about 16 people from around the continent (see www.animationsa.org for more).

The judges of the competition were positive and encouraging of the winning entry. Marcus Neustetter said that it was the element of 'fun' that made Comrie's work stand out from the rest. Nathaniel Stern said of Comrie's entry: 'It speaks to Africa and its tendency towards re-appropriation, shared histories of storytelling, Creative Commons' mixing ethos, politics of power and money/access - and let's be honest: it's really cute.'

On winning the award, Comrie said, 'I think the greatest thing about this is that I am being rewarded for doing something I consider fun! I am also very excited about the future of animation in South Africa, which is growing fast and offering many opportunities for creative people.'

Nesbitt is a student at the Wits University School of Arts. He created the work in the form of a storybook. 'I wanted to create a world that had a narrative that could be deciphered after a few iterations - a digital illustrated story book, like the one you got when you were a kid that asked you to turn the page. Plus, 'kidu' is cute so people like it.'

Congratulations to the two winners for their 'more-than-cute' entries!

Competition entry requirements

Creative Commons South Africa invites digital video, artwork and interactive displays that expresses your view of African digital creativity, remixing and innovation.

Make use of public domain, Creative Commons-licenced materials or your own original work - or a mixture - to create something truly inspiring!

The prize R6,000

To enter the competition, produce either one of the following:
• a digital video (max. 60 seconds); OR
• a digital artwork; OR
• a digital info-graphic
that, in your view, expresses the essence of African Digital Creativity, Remixing and Innovation.

Interactive work that requires an internet connection is encouraged.


Deadline 31 July, 2005

Email submissions to HFordSA@gmail.com

Copyright licencing


• All submissions will be licenced under the Creative Commons Attribution 2.5 licence (see http://creativecommons.org/licenses/by/2.5/ for more details). All entries will be attributed to their author with a link back to the Commons-sense website where they will be hosted. Make sure you get permission from any collaborators to use this licence in your work!

• For references, re-mixing raw materials, and re-mixing examples, go to: ‘Free Culture’ by Lawrence Lessig www.free-culture.org; www.creativecommons.org; the Internet Archive: www.archive.org; and http://za.creativecommons.org.



Judges



Professor Christo Doherty



Professor Christo Doherty is Head of Digital Arts, WSOA, http://www.wits.ac.za/artworks/ University of the Witwatersrand, Johannesburg. Previously he was the Director of the New Media Lab at Rhodes University, and the first SABC Chair of Cyberbroadcasting also at Rhodes University. Amongst his successful projects was the setting up and development of Cue-TV, a regional arts television broadcast that was carried free-to-air, on DStv satellite and over the Internet. He also led the team that pioneered webcasting for the Sanlam Business Week; and developed the Newsroom of the Future for the Highway Africa Conference on New Media in Africa. He also works as a VJ, and visual producer for music and dance events.


Nathaniel Stern


(NYC / Johannesburg) http://nathanielsterncom/details/bio.html is an internationally exhibited installation and video artist, net.artist and performance poet. His interactive installations have won awards in New York, South Africa and Australia, and his net.art, recently commissioned by turbulence.org, has been featured in festivals all over Europe, Asia and the US. nathaniel's collaborative physical theatre and multimedia performance work has won three FNB Vita Awards - including Best Presentation of a New Contemporary Work - and has been featured on the main stage at the Grahamstown Festival (South Africa). His poetry repertoire includes the US National Poetry Slam competition and the RSA HIV/AIDS Arts, Media & Film Festival.


Marcus Neustetter

Marcus Neustetter http://onair.co.za/mn has been developing projects addressing the relationship between art and technology. These take the form of mobile, installation, and web artworks tackling the translation of data through different online and offline platforms. In this process he has been exploring the digital and analogue ways of representing virtual experiences. Marcus Neustetter has exhibited and has been actively involved in developing opportunities and platforms for local digital art through projects in South Africa and Europe, these include ARS Electronica (Austria), Transmediale.03 (Germany) and E-tester (Spain). As director (with Stephen Hobbs) of The Trinity Session and sanman (southern african new media art network) and The Gallery PREMISES, Marcus Neustetter is actively involved in developing cultural strategies through a range of projects. Currently he is consulting to UNESCO DigiArts Africa.


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