Creative Commons Blog
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The Wombat Speaks
http://creativecommons.org/weblog/entry/5866
<p><a href="http://static.flickr.com/47/132151368_21f6eb53d2_d.jpg"><img src="http://static.flickr.com/47/132151368_21f6eb53d2_d.jpg"</a>
<p><a href="http://flickr.com/photos/zenigma/">Zenigma</a>, <a href="http://creativecommons.org/licenses/by/2.0/">BY 2.0</a></p>
<p>Had fun presenting in <a href="http://secondlife.com/?a=10d6623d164d419ba049f169642f22dd">Second Life</a> last night...great crowd with interesting questions...there was quite a rush to get the CC-Ts at the end which was a fun choas and several people made their way over to the CC donation jar (which wasn't even at the event location) & $420 linden dollars were donated to CC - thank you!!</p>
<p>As with all things SL, it was a collaborative effort with <a href="http://joi.ito.com/">Joi</a> & his team providing the venue (thank you Aimee for donating the colosseum build), <a href="http://creativecommons.org/about/people#51">Alex</a> & <a href="http://creativecommons.org/about/people#49">Jen</a> assisting at the CC end with technical issues and preparing for the event, Liana for being patient with our newbie questions about SL and <a hreef="http://nwn.blogs.com/nwn/">James</a> for generating interest with his publicity (which attracted Boing Boing's <a href="http://www.boingboing.net/2006/04/20/to_do_in_second_life.html">attention</a>!!).</p>
<p>James has already <a href="http://nwn.blogs.com/nwn/2006/04/truly_creative_.html">posted a brief report</a> about the event and there are (of course) photos posted to Flickr <a href="http://flickr.com/photos/zenigma/">here</a> and <a href="http://flickr.com/photos/billfutreal/sets/72057594112677304/">here</a>. Slides are <a href="http://mirrors.creativecommons.org/sl/sl.pdf">here</a>. Transcript should be ready by Monday, if anyone is interested.</p>
<p>If you missed this event or liked it and want to participate in future ones, join us in SL again at Pooley for a seminar on World Intellectual Property day at 2pm (East Coast Australia time) on Wednesday 26 April 2006 (for some of us it will actually be the day before World IP day because Australia is so far ahead in some many things, including time (we wombats have to support our peeps)). The discussion will include copyright, fair use, blogs, mash-ups, parody, and much more. Participants will include <a href="http://www.law.qut.edu.au/about/staff/lsstaff/fitzgerald.jsp">Brian Fitzgerald</a> and Nic Suzor from the <a href="http://www.creativecommons.org.au/">CC Australia team</a>, <a href="http://richardneville.com/Biography/Bio1.html">Richard Neville</a> and Dean Whitbread from <a href="http://funk.co.uk/">funk.co.uk</a> among others.</p>No publisherMia Garlick2006-04-21T15:54+00:00Copyright-free images lead to a fun animation
http://creativecommons.org/weblog/entry/5865
<p>So the the American Institute of Graphics Arts (AIGA for short) and the U.S. Department of Transportation released a set of 50 universal symbols "copyright-free" <a href="http://www.aiga.org/content.cfm?ContentAlias=symbolsigns">online</a>. The symbols are "designed for use at the crossroads of modern life: in airports and other transportation hubs and at large international events." They are intended to be clearly legible from a distance and comprehensible to people of different ages and cultures.</p>
<p><a href=http://funwithstuff.com/blog/index.html">Iain Anderson</a> took these images and produce a <a href="http://funwithstuff.com/dswmedia/airport.html">digital short called "airport"</a>, which is licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by-nc-sa/2.5/">Attribution-NonCommercial-ShareAlike license</a>. As Iain says "I'm especially happy to see many blogs in different languages linking to airport, especially as that was the idea. I mean, the symbols were meant for international word-free understanding, it only makes sense that the animation should be word-free and universally understandable too."</p>
No publisherMia Garlick2006-04-21T14:21+00:00CC travel sites acquired
http://creativecommons.org/weblog/entry/5864
<p><a href="http://wikitravel.org">Wikitravel</a> and <a href="http://world66.com">World66</a>, two user generated content travel sites each using the same Creative Commons license (<a href="http://creativecommons.org/licenses/by-sa/1.0/">Attribution-ShareAlike 1.0</a>) have been <a href="http://www.corporate-ir.net/ireye/ir_site.zhtml?ticker=27587&script=410&layout=-6&item_id=845378">acquired </a> by <a href="http://www.internetbrands.com">Internet Brands</a>, the operator of carsdirect.com and many other .com properties.</p>
<p>It's great to see Internet Brands' confidence in a business built on CC-licensed content, particularly under a BY-SA license, which permits forking, even for commercial purposes.</p>
<p>Congratulations to World66, Wikitravel, and especially to Wikitravel cofounder <a href="http://wikitravel.org/en/User:Evan">Evan Prodromou</a>, who has been an active supporter and constructive critic of Creative Commons from the beginning.</p>No publisherMike Linksvayer2006-04-21T01:19+00:00Sharing Is Daring: CC art show in Boston opens on April 27
http://creativecommons.org/weblog/entry/5862
<p>Elizabeth Stark of <a href="http://hcs.harvard.edu/freeculture/blog/">Harvard Free Culture</a> reports that <a href="http://www.sharingisdaring.org/">Sharing Is Daring</a> -- a terrific art show featuring works offered under Creative Commons licenses -- is ready to rock with an opening reception on April 27.</p>
<blockquote>
<p>Harvard Free Culture presents Sharing is Daring, a showcase of new & derivative artworks released under flexible licenses that allow for sharing & remixing. The exhibition will feature a range of graphic, photography, video, and multimedia works by:</p>
<p>~ Abram Stern ~ Matt Vance ~ Elton Lovelace ~ Brian Zbriger ~ Suburban Kids with Biblical Names ~ Shanying Cui ~ Ben Sisto ~ Tim Jacques ~ Rebecca Rojer ~ Greg Perkins ~ Ryan Sciaino ~ David Meme ~ Matt Boch & Claire Chanel ~ selections from the 100 Second Film Festival ~</p>
<p>Please join us for our opening event on Thurs., Apr. 27, 2006 at 8pm at the <a href="http://adams.student.harvard.edu/art/artspace/">Adams ArtSpace</a>, Harvard University, <a href="http://maps.google.com/maps?oi=map&q=Plympton+At+Bow+St,+Cambridge,+MA">Plympton at Bow St.</a>, in Cambridge, MA. Food and drink will be served.</p>
<p>For more information, visit <a href="http://www.sharingisdaring.org">sharingisdaring.com</a>.
</blockquote>
<p align="center"><img src="http://mirrors.creativecommons.org/blimg/dare2share.jpg"/><br>
<img src="http://mirrors.creativecommons.org/blimg/sharingisdaring.jpg"></p>No publisherEric Steuer2006-04-20T15:09+00:00License adoption estimates
http://creativecommons.org/weblog/entry/5861
<p>It's been awhile since the last time we posted estimates of the
number of web pages under a Creative Commons license or a breakdown
of how those licenses are distributed. The last aggregate estimate
(45 million) was posted to our <a
href="http://creativecommons.org/support/">support the commons</a>
page in December, which has since changed (thanks yet again for
your support!). The estimate appears in at least two interviews
of our chair published on the web December and January at <a
href="http://www.technologyreview.com/InfoTech-Software/wtr_16073,300,p1.html">Technology
Review</a> and <a
href="http://education.guardian.co.uk/academicexperts/story/0,,1687479,00.html">The
Guardian</a>.</p>
<p>We frequently get asked about license adoption, so I've created a <a
href="http://wiki.creativecommons.org/License_statistics">page on
license statistics</a> that you can always visit for current and
links to historical estimates and other statistics. Expect an updated
aggregate estimate every six months -- next in June.</p>
<p>In addition to coarse estimates based on search engine queries
we also have some promising growth numbers from individual <a
href="http://wiki.creativecommons.org/Content_Curators">CC-enabled content
communities and curators</a>. As of early this month <a
href="http://flickr.com/creativecommons">Flickr</a> hosted 10.8
million CC-licensed images and <a
href="http://soundclick.com/genres/cc_license.cfm">Soundclick</a>
hosted 219,000 CC-licensed songs, up from 4.1 million and 159,000
in August. <a href="http://revver.com">Revver</a> hosts 20,000
CC-licensed videos and did not launch until November. These are
only a few of many CC-enabled hosts.</p>
<p>There have been some small changes in the types of licenses being used since <a href="http://creativecommons.org/weblog/entry/5293">last February</a>. A current chart is reproduced below, see the previous link for a year-ago chart.</p>
<p>
<div align="center" class="thumb tright"><div style="width:402px;"><a href="http://wiki.creativecommons.org/Image:Licenses-pie-20060417.png" class="internal" title="Distribution of licenses deployed. Those without 'by' (attribution) were not versioned past 1.0 (excepting public domain, which is not versioned)."><img border="0" src="http://wiki.creativecommons.org/wiki/images/thumb/9/95/Licenses-pie-20060417.png/400px-Licenses-pie-20060417.png" alt="Distribution of licenses deployed. Those
without 'by' (attribution) were not versioned past 1.0 (excepting public domain, which is not versioned)." width="400" height="311" longdesc="http://wiki.creativecommons.org/Image:Licenses-pie-20060417.png" /></a> <div class="thumbcaption" ><div class="magnify" style="float:right"><a href="http://wiki.creativecommons.org/Image:Licenses-pie-20060417.png" class="internal" title="Enlarge"><img border="0" src="http://wiki.creativecommons.org/wiki/skins/common/images/magnify-clip.png" width="15" height="11" alt="Enlarge" /></a></div><small>Distribution of licenses deployed. Those without 'by' (attribution) were not <a href="http://wiki.creativecommons.org/License_versions" title="License versions">versioned</a> past 1.0 (excepting public domain, which is not versioned).</small></div></div></div>
</p>
<p>The small change appears to be in the direction of using more liberal licenses. Attribution, Attribution-NonCommercial and Attribution-ShareAlike all gained bigger slices of a (much larger) pie while Attribution-NonCommercial-NoDerivs, Attribution-NonCommercial-ShareAlike and Attribution-NoDerivs have smaller shares relative to a year ago.</p>
<p>The proportionate use of the NonCommercial, NoDerivs, and ShareAlike properties have all declined slightly due to the increased use of more liberal licenses (with fewer prohibitions and requirements).</p>
<p>
<table border="1" align="center">
<tr><th>License Property</th><th>February 2005</th><th>April 2006</th></tr>
<tr><th>NonCommercial</th><td>74%</td><td>71%</td></tr>
<tr><th>NoDerivs</th><td>33%</td><td>28%</td></tr>
<tr><th>ShareAlike</th><td>49%</td><td>48%</td></tr>
</table>
</p>No publisherMike Linksvayer2006-04-19T20:12+00:00Mia Garlick to Present Copyright Basics in Second Life
http://creativecommons.org/weblog/entry/5860
<p><a href="http://creativecommons.org/about/people#36">Mia Garlick</a>, Creative Commons' General Counsel, <a href="http://secondlife.com/events/event.php?id=197019&date=1145581200">goes in-world</a> in <a href="http://www.secondlife.com/">Second Life</a> to discuss copyright issues and the "Some Rights Reserved" licensing perspective this <a href="http://secondlife.com/events/event.php?id=197019&date=1145581200">Thursday, April 20, 2006 at 6 PM PST</a>. The event takes place at the new Creative Commons land on <a href="http://slurl.com/secondlife/Kula 4/75/75">Kula Island</a>.</p>
<p>As <a href="http://nwn.blogs.com/nwn/2006/04/questions_for_t.html">previously noted</a> <a href="http://creativecommons.org/weblog/entry/5806">here</a> and by previous <a href="http://www.creativecommons.org/salon">CC Salon</a> presenter <a href="http://nwn.blogs.com/nwn/">Wagner James Au's</a> "<a href="http://nwn.blogs.com/nwn/2006/03/creating_the_co.html">Creating the Commons</a>" post, Creative Commons now has a presence in <a href="http://www.secondlife.com/">Second Life</a>.</p>
<p><a href="http://slurl.com/secondlife/Kula 4/75/75">Teleport to our new land</a>, come for Mia's presentation and keep tabs on this growing virtual presence by joining our Second Life community.</p>No publisherJon Phillips2006-04-18T03:44+00:00Summer of Code and Commons
http://creativecommons.org/weblog/entry/5857
<p>Creative Commons is <a href="http://code.google.com/soc/cc/about.html">participating</a> in Google's 2006 <a href="http://code.google.com/soc/">Summer of Code</a> as a mentoring organization. If you're a student please read the <a href="http://code.google.com/soc/studentfaq.html">Summer of Code Student FAQ</a>, check out CC's <a href="http://wiki.creativecommons.org/Tech_Challenges">Tech Challenges</a> and start thinking about your application. Student proposals will be accepted May 1 through May 8.</p>
<p>We'll have a <a href="http://wiki.creativecommons.org/Summer_of_Code_2006">page dedicated to SoC 2006</a> fleshed out over the next week. You could build infrastructure for the commons and earn $4500. :) Thanks to Google for making this possible!</p>No publisherMike Linksvayer2006-04-17T01:29+00:00Futures of Music
http://creativecommons.org/weblog/entry/5856
<p>Wednesday night's <a href="http://creativecommons.org/weblog/entry/5850">CC Salon San Francisco</a> concerned the future of music.</p>
<p><a href="http://james.fakescience.com/blog/?p=34">James Polanco</a> spoke about Fake Science's CC licensed <a href="http://us1.fakescience.com/labreport.php">podcasts</a> and emphasized that Fake Science is not a record label, but a digital distributor with a far lower cost structure -- and lower costs for both artists and patrons. Fake Science has a great slogan: <em><a href="http://us1.fakescience.com/about.php">Be a Patron of the Arts, Not a Consumer.</a></em></p>
<p>However, business is tangential to the future of <em>music</em>: how it is made and what it sounds like.</p>
<p><a href="http://bobostertag.com">Bob Ostertag</a> and <a href="http://gonze.com">Lucas Gonze</a> each gave deep, highly compressed thoughts on the future of music that I will not attempt to summarize here. Watch for future articles and blog posts from them. One point they seemed to agree on is that though the constraints have changed (e.g., decline in mechanical reproduction, album-length works and album-length attention spans), new constraints are just as interesting. Gonze suggested that a new generation of "blog musicians" will slowly build up a body of small, inexpensive works.</p>
<p align="center"><a href="http://www.flickr.com/photos/ryanjunell/127800628/"><img src="http://static.flickr.com/52/127800628_6b799ff2a4_d.jpg"/></a><br/>
Bob Ostertag speaks.</p>
<p align="center"><a href="http://www.flickr.com/photos/ryanjunell/127800153/"><img src="http://static.flickr.com/52/127800153_273c1b2191_d.jpg"/></a><br/><a href="http://minuskelvin.com">Minus Kelvin</a> giving a shout out to <a href="http://fourstones.net">Victor Stone</a> and <a href="http://ccmixter.org">ccMixter</a>.
</p>
<p align="center">Photos by <a href="http://www.flickr.com/photos/ryanjunell/">Ryan Junell</a> licensed under <a href="http://creativecommons.org/licenses/by/2.0/">CC BY 2.0</a>.
</p>
<p>The <a href="http://wiki.creativecommons.org/CC_Salon_Future_Events#Wednesday.2C_May_10.2C_2006">next CC Salon San Francisco is May 10</a>, featuring Chris DiBona, Open Source Programs Manager at Google, Ken Goldberg of UC Berkeley, Tiffany Schlain of the Webby Awards, and Abram Stern and Michael Dale of Metavid. Be there then or be cube.
<p>
No publisherMike Linksvayer2006-04-16T02:07+00:00ccPublisher 2 beta reviewed
http://creativecommons.org/weblog/entry/5855
<p>NewsForge has <a href="http://trends.newsforge.com/article.pl?sid=06/03/16/2022232&from=rss">reviewed</a> ccPublisher 2 beta 1 (<a href="http://creativecommons.org/weblog/entry/5817">beta 2 is now available</a>):</p>
<blockquote><p>Beta 1 offers a sparse, straightforward interface. Follow a few prompts to select applicable files for upload, enter metadata for the Internet Archive listings, and select a CC license and the files' formats. The program uploads all the information to the Internet Archive, where it appears within 24 hours.</p>
<p>The ccPublisher 2 team plan several useful features for the official release, including complete conversion to the more modular and extensible ccPublisher 2 architecture, support for extensions and plugins, and easy customization for third-party developers.</p>
<p>The ccPublisher 2 developers have already set their sights on version 1.1, which they say will embed CC metadata into numerous formats and offer full support for localization. They also hope to allow users to extract existing metadata from the media files themselves, making the process much faster, particularly when uploading a large number of files.</p>
<p>The current ccPublisher 2 beta release is a useful, yet somewhat limited, application for Internet Archive publishing. But if its development road map is an indicator, ccPublisher 2 is set to become an invaluable tool in the future.</p>
</blockquote>
<p>Thanks Sean "Nz17" Robinson of NewsForge! Note that ccPublisher 2.1 is the version that will include full localization. It is due for release, appropriately enough, during the <a href="http://creativecommons.org/weblog/entry/5842">iCommons</a> summit this summer.</p>No publisherMike Linksvayer2006-04-14T17:17+00:00Wealth of Networks
http://creativecommons.org/weblog/entry/5854
<p>Yochai Benkler has published his new book, <a href="http://www.benkler.org/wealth_of_networks/index.php/Main_Page"><em>The Wealth of Networks: How Social Production Transforms Markets and Freedom</em></a> under a Creative Commons <a href="http://creativecommons.org/licenses/by-nc-sa/2.5/">Attribution-NonCommercial-ShareAlike 2.5</a> license. A brief excerpt (page 482):</p>
<blockquote>[W]e are seeing an ever-more
self-conscious adoption of commons-based practices as a modality of infor-
mation production and exchange. Free software, Creative Commons, the
Public Library of Science, the new guidelines of the National Institutes of
Health (NIH) on free publication of papers, new open archiving practices,
librarian movements, and many other communities of practice are devel-
oping what was a contingent fact into a self-conscious social movement. As
the domain of existing information and culture comes to be occupied by
information and knowledge produced within these free sharing movements
and licensed on the model of open-licensing techniques, the problem of the
conflict with the proprietary domain will recede. Twentieth-century materials
will continue to be a point of friction, but a sufficient quotient of twenty-
first-century materials seem now to be increasingly available from sources
that are happy to share them with future users and creators. If this social-
cultural trend continues over time, access to content resources will present
an ever-lower barrier to nonmarket production.</blockquote>
<p>There's a <a href="http://www.eyebeam.org/engage/engage.php?page=unique&id=92">book release party</a> this evening in New York City.</p>
<p><a href="http://www.boingboing.net/2006/04/14/yochai_coases_pengui.html">Via Boing Boing.</a></p>No publisherMike Linksvayer2006-04-14T17:25+00:00MusicIP and MusicBrainz track CC
http://creativecommons.org/weblog/entry/5853
<p>Audio fingerprinting (and more) company MusicIP has added the ability to attach a Creative Commons license to audio tracks <a href="http://www.musicip.com/artist/listenerlink">registered via their ListenerLink service</a> (<a href="http://www.musicip.com/themes/predixis/downloads/Press/Creative_Commons_Release-FINAL.pdf">press release</a>; PDF).</p>
<p>Community music metadatabase MusicBrainz is working with MusicIP's fingerprinting technology and has also added the ability to track CC licenses, see <a href="http://blog.musicbrainz.org/archives/2006/03/new_fingerprint.html">details on the MusicBrainz blog</a>.</p>
<p>This will be a good year for "open music infrastructure" and CC will be a big part of that...</p>No publisherMike Linksvayer2006-04-12T14:29+00:00Crammed Discs Remix Contest at ccMixter!
http://creativecommons.org/weblog/entry/5852
<p>We're pleased to announce a new Creative Commons remix contest in conjunction with <a href="http://www.crammed.be/">Crammed Discs</a> over at our community remix site, <a href="http://ccmixter.org/crammed/">ccMixter</a>. Crammed artists <a href="http://www.crammed.be/crammed/123/index.htm">Cibelle</a>, <a href="http://www.crammed.be/zir/19/index.htm">DJ Dolores</a>, and <a href="http://www.crammed.be/zir/21/index.htm">Apollo Nove</a> -- some of Brazil's most innovative contemporary musicians -- are offering new sounds online under a <a href="http://creativecommons.org/licenses/by-nc/2.5/">Creative Commons BY-NC license</a>, so people throughout the world can legally use them in remixes, mash-ups, and new compositions. Nine winning remixes will appear on a Crammed/ccMixter EP project to be sold online through digital music stores.</p>No publisherEric Steuer2006-04-12T12:13+00:00Netsquared interview
http://creativecommons.org/weblog/entry/5851
<p>Marshall Kirkpatrick interviewed me at <a href="http://creativecommons.org/weblog/entry/5821">SXSW</a> and used the interview as the basis for a <a href="http://netsquared.org/linksvayer">nice article about Creative Commons</a> at Netsquared.</p>No publisherMike Linksvayer2006-04-11T23:41+00:00 Creative Commons presents: CC Salon 2, San Francisco
http://creativecommons.org/weblog/entry/5850
<p>Please join us for the second <a href="http://creativecommons.org/salon">CC Salon</a>, taking place in San Francisco on Wednesday, April 12 from 6-9 PM at <a href="http://www.shinesf.com/">Shine</a> (<a href="http://maps.google.com/maps?q=1337+Mission,+sf,+ca">1337 Mission Street</a> between 8th and 9th Streets). CC Salon is a casual get-together focused on conversation and community-building with 2-3 brief presentations from individuals and groups developing projects with relationship to Creative Commons. Please invite your friends, colleagues, and anyone you know who might be interested in drinks and discussion. We look forward to seeing you there!</p>
<p>Following the first successful salon, this event focuses on "Net-based Music." James Polanco is presenting about "Podcasting and the <a href="http://www.fakescience.com/">Fake Science Digital Music Store</a>" and
<a href="http://www.gonze.com/weblog/">Lucas Gonze</a> is talking about "How the Net is Changing Music." Lucas Gonze is the creator of <a href="http://www.webjay.org">Webjay</a> and is a frequent <a href="http://creativecommons.org/">Creative Commons</a> supporter. Also, we have <s>a special surprise guest</s> composer <a href="http://creativecommons.org/weblog/entry/5831">Bob Ostertag</a>.</p>
<p>We've set up <a href="http://creativecommons.org/salon">http://creativecommons.org/salon</a> where you can find the latest information about CC Salon. It is also place where the community may contribute ideas, make suggestions, and submit proposals for future events.</p>
<p>You can track <a href="http://upcoming.org/event/69692/">this event on upcoming.org</a> along with every future monthly 2nd Wednesday <a href="http://creativecommons.org/salon">CC Salon</a>.No publisherJon Phillips2006-04-10T20:39+00:00Submit your short DIY video to the MAKE: Movies film festival
http://creativecommons.org/weblog/entry/5849
<p /><a href="http://www.makezine.com/" />MAKE</a> (which is, incidentally, one of the coolest magazines around) is hosting the <a href="http://makezine.com/faire/movies/" />MAKE: Movies</a> film festival as part of the <a href="http://makezine.com/faire/" />Maker Faire</a>, taking place on April 22 and 23 at the <a href="http://www.sanmateoexpo.org/" />San Mateo Fairgrounds</a>. You've got a few more days (until Wednesday, April 12) to submit your CC-licensed project demo videos, DIY tech documentaries, and how-to clips. Need music that you can use noncommercially in your entry? Check out one of the sites indexed on our <a href="http://creativecommons.org/audio/" />audio page</a>.No publisherEric Steuer2006-04-10T14:42+00:00