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28 | 28 | <h1 class="f2 f-subheadline-ns mb4">9.5.1 If the text will be read on the screen, design it for that medium.</h1>
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29 | 29 | <p class="gray f6 mb4 ttu tracked">By Robert Bringhurst</p>
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30 | 30 | <p class="f4 f3-ns measure lh-copy">
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31 |
| - Like a forest or a garden or a field, an honest page of letters can absorb -- |
32 |
| - and will repay -- as much attention as it is given. Much type now, however, is |
| 31 | + Like a forest or a garden or a field, an honest page of letters can absorb – |
| 32 | + and will repay – as much attention as it is given. Much type now, however, is |
33 | 33 | composed not for the page but for the screen of a computer. That screen can be
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34 | 34 | alive with flowing color, but the best computer monitors have dismal resolution
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35 | 35 | (about 130 dpi: one fifth the current norm for laser printers and roughly 5% of
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@@ -74,8 +74,8 @@ <h2 class="f5">HTML</h2>
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74 | 74 | <h1 class="f2 f-subheadline-ns mb4">9.5.1 If the text will be read on the screen, design it for that medium.</h1>
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75 | 75 | <p class="gray f6 mb4 ttu tracked">By Robert Bringhurst</p>
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76 | 76 | <p class="f4 f3-ns measure lh-copy">
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77 |
| - Like a forest or a garden or a field, an honest page of letters can absorb -- |
78 |
| - and will repay -- as much attention as it is given. Much type now, however, is |
| 77 | + Like a forest or a garden or a field, an honest page of letters can absorb &ndash; |
| 78 | + and will repay &ndash; as much attention as it is given. Much type now, however, is |
79 | 79 | composed not for the page but for the screen of a computer. That screen can be
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80 | 80 | alive with flowing color, but the best computer monitors have dismal resolution
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81 | 81 | (about 130 dpi: one fifth the current norm for laser printers and roughly 5% of
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