Fukakusa Ware, Faience Ware and Arita Porcelain
Image Description from historic lecture booklet: "A display of three different kinds of Japanese pottery.
Since the days of the ancient potter, Koemon the puppet-maker, the modeling of mythical figures--men, birds and animals--has always been a specialty with the Fukakusa potters.
Faience by Koemon, the puppet-make described above.
Arita Porcelain. This usually portrayed the figure of a girl dressed in flowing robes or warriors in armor seated on a kind of stool and forming censers."
Original Collection: Visual Instruction Department Lantern Slides
Item Number: P217:set 060 025
You can find this image by searching for the item number by clicking here.
Want more? You can find more digital resources online.
We're happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the Special Collections & Archives website, or contact staff at the OSU Special Collections & Archives Research Center for details.
Fukakusa Ware, Faience Ware and Arita Porcelain
Image Description from historic lecture booklet: "A display of three different kinds of Japanese pottery.
Since the days of the ancient potter, Koemon the puppet-maker, the modeling of mythical figures--men, birds and animals--has always been a specialty with the Fukakusa potters.
Faience by Koemon, the puppet-make described above.
Arita Porcelain. This usually portrayed the figure of a girl dressed in flowing robes or warriors in armor seated on a kind of stool and forming censers."
Original Collection: Visual Instruction Department Lantern Slides
Item Number: P217:set 060 025
You can find this image by searching for the item number by clicking here.
Want more? You can find more digital resources online.
We're happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the Special Collections & Archives website, or contact staff at the OSU Special Collections & Archives Research Center for details.