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Beginning ASP NET 3 5 In C and VB 1st Edition Imar
Spaanjaars Digital Instant Download
Author(s): Imar Spaanjaars
ISBN(s): 9780470187593, 047018759X
Edition: 1
File Details: PDF, 35.59 MB
Year: 2008
Language: english
spine=1.536"
Beginning Spaanjaars
ASP.NET 3.5
Microsoft’s ASP.NET 3.5 and Visual Web Developer™ 2008 combine forces
to provide you with the ultimate platform on which you can create dynamic
and interactive web applications.
Popular Wrox author Imar Spaanjaars begins by demonstrating how to
obtain and install Visual Web Developer. With each successive chapter,
he introduces you to new technologies that build on knowledge gained
from previous chapters. You’ll learn that both ASP.NET 3.5 and Visual
Web Developer now come with an extensive set of tools that will help you
smoothly program your web applications. With the knowledge you gain from
this book, you will be able to create feature-rich, database-driven, interactive
web sites.
$44.99 USA
$48.99 CAN Updates, source code, and Wrox technical support at www.wrox.com
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87593ffirs.qxd:WroxPro 1/29/08 12:47 AM Page i
Beginning
ASP.NET 3.5
Beginning
ASP.NET 3.5
In C# and VB
Imar Spaanjaars
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Spaanjaars, Imar.
Beginning ASP.NET 3.5 / Imar Spaanjaars.
p. cm.
Includes index.
ISBN 978-0-470-18759-3 (pbk. : web)
1. Active server pages. 2. Web sites—Design. 3. Microsoft .NET. I. Title.
TK5105.8885.A26S6815 2006
005.2'76—dc22
2007052406
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means,
electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108
of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization
through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers,
MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal
Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or
online at http://www.wiley.com/go/permissions.
Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with
respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including
without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or
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87593ffirs.qxd:WroxPro 1/29/08 12:47 AM Page v
After working for a large corporation and doing some freelance work, he now works for Design IT
(www.designit.nl), an IT company in the Netherlands specializing in Internet and intranet applica-
tions built with Microsoft technologies like ASP.NET 3.5. As a technical director and software designer,
he’s responsible for designing and building medium- to large-scaled e-commerce web sites and portals.
He’s also the tech lead for Dynamicweb Nederland, the Dutch branch of the popular Danish Content
Management System Dynamicweb (www.dynamicweb.nl).
Imar has written books on ASP.NET 2.0 and Macromedia Dreamweaver, all published under the Wrox
brand. He is also one of the top contributors to the Wrox Community Forum at p2p.wrox.com, where
he shares his knowledge with fellow programmers.
Imar lives in Utrecht, the Netherlands, with his girlfriend, Fleur. You can contact him through his personal
web site at http://imar.spaanjaars.com.
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Credits
Acquisitions Director Vice President and Executive Group Publisher
Jim Minatel Richard Swadley
Acknowledgments
Writing a book is probably one of the most exhausting but fun and rewarding things I have ever done.
During writing you have to invest a lot of time and effort to put your ideas down into something that
is worth reading by others. After the hard work is done and the book is written, the reward comes from
readers like you who send me e-mails, contact me through my web site, or participate in the online dis-
cussion forums at p2p.wrox.com to discuss the book.
As Norman Mailer put it, writing a book is the closest that men ever get to childbearing. Although I think
there is probably some truth in that statement, I also realize there is one big difference: writing a book is
not something you have to do on your own. Although only my name is on the cover, I owe a lot to many
people who helped me write this book.
First of all I’d like to thank Jim Minatel from Wiley for asking me to pick up this project and having faith
in my ability to bring it to a good end. I would also like to thank Brian Herrmann for his editorial work. I
know it wasn’t always easy with the number of reviewers we had, but I think it turned out pretty well.
I am very thankful for the work done by the technical editors on this book: Alexei, John, and Rob —
thanks, guys, for all your hard work! I particularly want to thank the lead technical editor, Peter Lanoie,
who has made a major contribution, both in shaping the direction of the book and in assuring its technical
accuracy. Thank you, Peter!
I am also very glad for the support I got from the people at Design IT. Thanks to all who have reviewed
my work and participated in my discussions on the book’s direction.
Another person I owe a lot to is Anne Ward from Blue Violet, a UK-based web and graphic design com-
pany. Anne has done most of the designs used in this book, which I highly appreciate. Thanks, Anne!
The concert pictures you see in this book come from her good friend Nigel D. Nudds, who kindly let me
use pictures from his collection.
Finally, I would like to thank my lovely girlfriend, Fleur. You may get tired of hearing it, but I really
appreciate the support you have given me throughout this project. I couldn’t — and wouldn’t — have
done it without you!
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Contents
Acknowledgments xi
Introduction xxiii
Contents
Organizing Your Site 44
Special File Types 46
Working with Web Forms 47
The Different Views on Web Forms 47
Choosing between Code Behind and Pages with Inline Code 48
Adding Markup to Your Page 53
Connecting Pages 59
Practical Tips on Working with Web Forms 61
Summary 61
Exercises 62
xiv
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Contents
Ajax Extensions 125
WebParts 125
The ASP.NET State Engine 126
What Is State and Why Is It Important? 126
How the State Engine Works 127
Not All Controls Rely on ViewState 131
A Note About ViewState and Performance 131
Practical Tips on Working with Controls 132
Summary 132
Exercises 133
xv
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Contents
Themes 214
Different Types of Themes 215
Choosing Between Theme and StyleSheetTheme 215
Applying Themes 215
Extending Themes 219
Dynamically Switching Themes 222
Skins 228
Creating a Skin File 229
Named Skins 231
A Final Note on Skins 232
Practical Tips on Creating Consistent Pages 232
Summary 233
Exercises 234
xvi
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Contents
Implementing ViewState Properties 283
ViewState Considerations 288
Practical Tips on User Controls 289
Summary 289
Exercises 290
xvii
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Contents
Understanding Primary Keys and Identities 373
Creating Relationships Between Tables 377
Practical Database Tips 380
Summary 381
Exercises 381
xviii
Discovering Diverse Content Through
Random Scribd Documents
Segismund. Once more the storm has roar’d itself away,
Splitting the crags of God as it retires;
But sparing still what it should only blast,
This guilty piece of human handiwork,
And all that are within it. Oh, how oft,
How oft, within or here abroad, have I
Waited, and in the whisper of my heart
Pray’d for the slanting hand of heaven to strike
The blow myself I dared not, out of fear
Of that Hereafter, worse, they say, than here,
Plunged headlong in, but, till dismissal waited,
To wipe at last all sorrow from men’s eyes,
And make this heavy dispensation clear.
Thus have I borne till now, and still endure,
Crouching in sullen impotence day by day,
Till some such out-burst of the elements
Like this rouses the sleeping fire within;
And standing thus upon the threshold of
Another night about to close the door
Upon one wretched day to open it
On one yet wretcheder because one more;—
Once more, you savage heavens, I ask of you—
I, looking up to those relentless eyes
That, now the greater lamp is gone below,
Begin to muster in the listening skies;
In all the shining circuits you have gone
About this theatre of human woe,
What greater sorrow have you gazed upon
Than down this narrow chink you witness still;
And which, did you yourselves not fore-devise,
You register’d for others to fulfil!
Fife. This is some Laureate at a birth-day ode;
No wonder we went rhyming.
Ros. Hush! And now
See, starting to his feet, he strides about
See, starting to his feet, he strides about
Far as his tether’d steps—
Seg. And if the chain
You help’d to rivet round me did contract
Since guiltless infancy from guilt in act;
Of what in aspiration or in thought
Guilty, but in resentment of the wrong
That wreaks revenge on wrong I never wrought
By excommunication from the free
Inheritance that all created life,
Beside myself, is born to—from the wings
That range your own immeasurable blue,
Down to the poor, mute, scale-imprison’d things,
That yet are free to wander, glide, and pass
About that under-sapphire, whereinto
Yourselves transfusing you yourselves englass!
Ros. What mystery is this?
Fife. Why, the man’s mad:
That’s all the mystery. That’s why he’s chain’d—
And why—
Seg. Nor Nature’s guiltless life alone—
But that which lives on blood and rapine; nay,
Chartered with larger liberty to slay
Their guiltless kind, the tyrants of the air
Soar zenith-upward with their screaming prey,
Making pure heaven drop blood upon the stage
Of under earth, where lion, wolf, and bear,
And they that on their treacherous velvet wear
Figure and constellation like your own,[13]
With their still living slaughter bound away
Over the barriers of the mountain cage,
Against which one, blood-guiltless, and endued
With aspiration and with aptitude
Transcending other creatures, day by day
Beats himself mad with unavailing rage!
g g
Fife. Why, that must be the meaning of my mule’s
Rebellion—
Ros. Hush!
Seg. But then if murder be
The law by which not only conscience-blind
Creatures, but man too prospers with his kind;
Who leaving all his guilty fellows free,
Under your fatal auspice and divine
Compulsion, leagued in some mysterious ban
Against one innocent and helpless man,
Abuse their liberty to murder mine:
And sworn to silence, like their masters mute
In heaven, and like them twiring through the mask
Of darkness, answering to all I ask,
Point up to them whose work they execute!
Ros. Ev’n as I thought, some poor unhappy wretch,
By man wrong’d, wretched, unrevenged, as I!
Nay, so much worse than I, as by those chains
Clipt of the means of self-revenge on those
Who lay on him what they deserve. And I,
Who taunted Heaven a little while ago
With pouring all its wrath upon my head—
Alas! like him who caught the cast-off husk
Of what another bragg’d of feeding on,
Here’s one that from the refuse of my sorrows
Could gather all the banquet he desires!
Poor soul, poor soul!
Fife. Speak lower—he will hear you.
Ros. And if he should, what then? Why, if he would,
He could not harm me—Nay, and if he could,
Methinks I’d venture something of a life
I care so little for—
Seg. Who’s that? Clotaldo? Who are you, I say,
g y , y,
That, venturing in these forbidden rocks,
Have lighted on my miserable life,
And your own death?
Ros. You would not hurt me, surely?
Seg. Not I; but those that, iron as the chain
In which they slay me with a lingering death,
Will slay you with a sudden—Who are you?
Ros. A stranger from across the mountain there,
Who, having lost his way in this strange land
And coming night, drew hither to what seem’d
A human dwelling hidden in these rocks,
And where the voice of human sorrow soon
Told him it was so.
Seg. Ay? But nearer—nearer—
That by this smoky supplement of day
But for a moment I may see who speaks
So pitifully sweet.
Fife. Take care! take care!
Ros. Alas, poor man, that I, myself so helpless,
Could better help you than by barren pity,
And my poor presence—
Seg. Oh, might that be all!
But that—a few poor moments—and, alas!
The very bliss of having, and the dread
Of losing, under such a penalty
As every moment’s having runs more near,
Stifles the very utterance and resource
They cry for quickest; till from sheer despair
Of holding thee, methinks myself would tear
To pieces—
Fife. There, his word’s enough for it.
Seg. Oh, think, if you who move about at will,
dl h k d
And live in sweet communion with your kind,
After an hour lost in these lonely rocks
Hunger and thirst after some human voice
To drink, and human face to feed upon;
What must one do where all is mute, or harsh,
And ev’n the naked face of cruelty
Were better than the mask it works beneath?—
Across the mountain then! Across the mountain!
What if the next world which they tell one of
Be only next across the mountain then,
Though I must never see it till I die,
And you one of its angels?
Ros. Alas! alas!
No angel! And the face you think so fair,
’Tis but the dismal frame-work of these rocks
That makes it seem so; and the world I come from—
Alas, alas, too many faces there
Are but fair vizors to black hearts below,
Or only serve to bring the wearer woe!
But to yourself—If haply the redress
That I am here upon may help to yours.
I heard you tax the heavens with ordering,
And men for executing, what, alas!
I now behold. But why, and who they are
Who do, and you who suffer—
Seg. (pointing upwards). Ask of them,
Whom, as to-night, I have so often ask’d,
And ask’d in vain.
Ros. But surely, surely—
Seg. Hark!
The trumpet of the watch to shut us in.
Oh, should they find you!—Quick! Behind the rocks!
To-morrow—if to-morrow—
Ros. (flinging her sword toward him). Take my sword!
Rosaura and Fife hide in the rocks; enter Clotaldo.
Enter on one side Astolfo, Duke of Muscovy, with his train; and, on
the other, the Princess Estrella, with hers.
Astolfo. My royal cousin, if so near in blood,
Till this auspicious meeting scarcely known,
Till all that beauty promised in the bud
Is now to its consummate blossom blown,
Well met at last; and may—
Estrella. Enough, my Lord,
Of compliment devised for you by some
Court tailor, and, believe me, still too short
To cover the designful heart below.
Ast. Nay, but indeed, fair cousin—
Est. Ay, let Deed
Measure your words, indeed your flowers of speech
Ill with your iron equipage atone;
Irony indeed, and wordy compliment.
Ast. Indeed, indeed, you wrong me, royal cousin,
And fair as royal, misinterpreting
What, even for the end you think I aim at,
If false to you, were fatal to myself.
Est. Why, what else means the glittering steel, my Lord,
That bristles in the rear of these fine words?
What can it mean, but, failing to cajole,
To fight or force me from my just pretension?
Ast. Nay, might I not ask ev’n the same of you,
The nodding helmets of whose men at arms
Out-crest the plumage of your lady court?
Est. But to defend what yours would force from me.
Ast. Might not I, lady, say the same of mine?
But not to come to battle, ev’n of words,
With a fair lady, and my kinswoman;
And as averse to stand before your face,
Defenceless, and condemn’d in your disgrace,
Till the good king be here to clear it all—
Will h f t h ?
Will you vouchsafe to hear me?
Est. As you will.
Ast. You know that, when about to leave this world,
Our royal grandsire, King Alfonso, left
Three children; one a son, Basilio,
Who wears—long may he wear!—the crown of Poland;
And daughters twain: of whom the elder was
Your mother, Clorileña, now some while
Exalted to a more than mortal throne;
And Recisunda, mine, the younger sister,
Who, married to the Prince of Muscovy,
Gave me the light which may she live to see
Herself for many, many years to come.
Meanwhile, good King Basilio, as you know,
Deep in abstruser studies than this world,
And busier with the stars than lady’s eyes,
Has never by a second marriage yet
Replaced, as Poland ask’d of him, the heir
An early marriage brought and took away;
His young queen dying with the son she bore him:
And in such alienation grown so old
As leaves no other hope of heir to Poland
Than his two sisters’ children; you, fair cousin,
And me; for whom the Commons of the realm
Divide themselves into two several factions;
Whether for you, the elder sister’s child;
Or me, born of the younger, but, they say,
My natural prerogative of man
Outweighing your priority of birth.
Which discord growing loud and dangerous,
Our uncle, King Basilio, doubly sage
In prophesying and providing for
The future, as to deal with it when come,
Bids us here meet to-day in solemn council
Our several pretensions to compose.
And but the martial out burst that proclaims
And, but the martial out-burst that proclaims
His coming, makes all further parley vain,
Unless my bosom, by which only wise
I prophesy, now wrongly prophesies,
By such a happy compact as I dare
But glance at till the Royal Sage declare.
Trumpets, etc. Enter King Basilio with his Council.
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