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Other documents randomly have
different content
Descriptive sketches, 9, 12, 14, 31, 99, 113, 193
Dialogue and monologue, 19, 27
Diamond Lens, The (O’Brien), 211
Dickens, Charles, influence of, on Bret Harte, 230;
on O’Brien, 211
Dio Chrysostom, 25
Directness of movement, 18, 19, 20, 26, 27
Documentary interest, in fiction, 3, 30
Dominant, use of a single detail as, 16, 21, 22
Drama, influence of, on novel and short story, 26, 34
Dumas, Alexandre, influence of, on Bret Harte, 230

Edgeworth, Maria, 26
Emigrant’s Daughter, The, 5
End of the Passage, The (Kipling), 212
Enlèvement de la redoute, Le (Mérimée), 31
Esmeralda, The (Wallace), 11
Essay tendency in tales, 6, 7, 10, 14, 15, 18, 32
Ethan Brand (Hawthorne), 13
Eve of the Fourth, The (Frederic), 305–324
Exposition in tales (see Essay tendency)

Fall of the House of Usher, The (Poe), 18, 154–176

Fancy’s Show Box (Hawthorne), 14
Filleule du Seigneur, La (Nodier), 30
Flaubert, Gustave, 30
Flint, Timothy, 5
Florus, King, and the Fair Jehane, 25
Fool’s Moustache, A (Webster), 245
“Forest Life” (Kirkland), 193
France, Anatole, 29
Frederic, Harold, 303–324;
biographical and critical note, 303;
“In the Sixties,” 303;
The Eve of the Fourth, 305–324;
The Damnation of Theron Ware, 303
Fromentin, Eugène, 3
Frontier, tales of the, 5, 10, 12, 97–127, 193–210, 229–243

Gautier, Théophile, 30, 33;

Le nid de rossignols, La mort amoureuse, 33;
preferred nouvelle to conte, diffuseness, influence of Sterne,
tendency to mere description, likeness to Poe, 33
Genlis, Mme. de, moral tales of, 10
“Gentleman’s Magazine and American Monthly Review,”
Burton’s, 154
German Student, The (Irving), 8
Gift-books (see Annuals)
Gilbert, E., 29, 325
Gilman, Mrs., 5
“Golden Era, The,” 229
Goldsmith, influence on Irving, 6
Gradation, 20–23, 32 (see Sequence)
Great Good Place, The (James), 34
Great Stone Face, The (Hawthorne), 14

Hale, Mrs., 5
Hall, James, 5, 9, 11, 12, 97–112;
biographical and critical note, 97;
“The Illinois Intelligencer,” “The Illinois Magazine,” “The
Western Monthly Magazine,” “Letters from the West,”
“Sketches of the West,” “Notes on the Western States,”
“The Wilderness and the War Path,” 97;
“The Western Souvenir,” 5, 97;
 The Indian Hater, Pete Featherton, 5;
The Village Musician, 9;
The French Village, 5, 9, 12, 99–112
Harmonisation, 16, 23
“Harper’s Monthly Magazine,” 212, 213
Hart, Walter Morris, 325
Harte, Francis Bret, 4, 229–243;
biographical and critical note, 229;
“Condensed Novels,” 229;
The Luck of Roaring Camp, 229, 230;
Johnson’s Old Woman, Mrs. Skaggs’s Husbands, The Iliad of
Sandy Bar, Tennessee’s Partner, 230;
The Outcasts of Poker Flat, 231–243;
influence of Dickens, 230;
of Dumas, 230;
tendency to melodrama, 230;
local truth, 229;
symbolism, 230
Hawthorne, Nathaniel, 2, 5, 9, 10, 12–15, 16, 18, 23, 30, 31, 32,
59, 129–142, 230;
bent not toward short story, 12–15, 31;
allegory, symbolism, 14, 23, 230;
vocabulary, 16;
tendency toward description, 14;
toward essay, 14, 15, 18, 30;
expository introductions, 18;
unity compared with Poe’s, 23;
likeness to Nodier, 30;
“Twice-Told Tales,” 131;
The Gentle Boy, 12;
The Wives of the Dead, 12, 13;
Roger Malvin’s Burial, Alice Doane’s Appeal, Ethan Brand,
13;
The Scarlet Letter, 13, 14;
Sunday at Home, Sights from a Steeple, Main Street, The
Village Uncle, The Ambitious Guest, Fancy’s Show Box,
 David Swan, The Snow Image, The Great Stone Face,
14;
The Marble Faun, 15;
The White Old Maid, 13, 131–142;
The Seven Vagabonds, 230
“Heptameron, The,” of the Queen of Navarre, 29
Hermit of the Prairies, The, 5
“Hermite de la Chaussée d’Antin, Le,” 6
Higginson, Thomas Wentworth, 59
Historical tales, 4, 5, 9, 10, 11
Hoax-story, 10, 34
Horla, Le (Maupassant), 212

Iliad of Sandy Bar, The (Harte), 230

“Illinois Intelligencer, The,” 97
“Illinois Magazine, The,” 97
“In the Sixties” (Frederic), 305
Indian Hater, The (Hall), 5
Inlet of Peach Blossoms, The (Willis), 179–191
Inroad of the Nabajo, The (Pike), 115–127
Intensity, in short story, 12, 22, 32, 34
Introductions to tales, 7, 10, 17, 18, 19, 31, 99, 195
Irving, Washington, 1, 4, 5, 6–9, 18, 29, 37–58, 143, 289;
looseness of form, 7, 8;
characterisation, 7;
unity of tone, 7;
influence of, 8, 9, 143, 289;
introductions, 18;
“The Sketch Book,” 7;
“Tales of a Traveller,” 8, 143;
The Wife, The Widow and Her Son, The Pride of the Village,
The Spectre Bridegroom, 7;
Buckthorne and His Friends, The German Student, 8;
Philip of Pokanoket, 9;
 Rip Van Winkle, 7, 8, 37–58

Jacobs, Joseph, 25
James, Henry, 34
Jean François-les-bas-bleus (Nodier), 30
Johnson’s Old Woman (Harte), 230
Joseph Natterstrom (Austin), 1, 10
Jouy, M. de, 6
Jumping Frog, The (Mark Twain), 34

Keepsakes (see Annuals)

Kennedy, John Pendleton, 5, 9;
“Swallow Barn,” 9
Kinetic narrative, and static, 22
King Pest (Poe), 18, 22
Kipling, Rudyard, 34, 212;
The End of the Passage, 212
Kirkland, Mrs., 5, 6, 193–210;
biographical and critical note, 193;
“A New Home—Who’ll Follow,” “Forest Life,” “Western
Clearings,” 193;
The Bee-Tree, 195–210
Kirkland, William, 193

Landor, Walter Savage, 30

“Letters from Arkansas” (Pike), 113
“Letters from the West” (Hall), 97
Lidivine (Nodier), 30
Ligeia (Poe), 16, 18
“Literati” (Poe), 193
Local color, 3–6, 9, 11, 12, 34, 97, 113, 193, 229, 303
Longfellow, Henry Wadsworth, 143–151;
 biographical and critical note, 143;
“Outre-Mer,” 143;
The Notary of Périgueux, 145–151
Longus, 24, 25
Love Letters of Smith, The (Bunner), 291–301
Lucian, 24
Luck of Roaring Camp, The (Harte), 229, 230

Magazines, American, 2–5, 9, 34 (and see separate titles)

Main Street (Hawthorne), 14
Maison Tellier, La (Maupassant), 230
Man of Law, The (Chaucer), 25
Marble Faun, The (Hawthorne), 15
Margaret of Angoulême, Queen of Navarre, the “Heptameron”
of, 29
Marjorie Daw (Aldrich), 34
Mary Dyre (Sedgwick), 11
Matron of Ephesus, The (Petronius), 24
Matthews, Brander, 8, 11, 22, 31, 212, 325;
edition of Irving’s “Tales of a Traveller,” 8;
“The Philosophy of the Short-Story,” 11, 22, 31, 212, 325
Maupassant, Guy de, 30, 34, 212, 230;
La maison Tellier, 230;
Le Horla, 212
Mediæval tales, 23–29, 31
Melodrama, tendency toward, in earlier American tales, 4, 5, 11;
in O’Brien, 211;
in Bret Harte, 230
Mérimée, Prosper, 30–34;
narrative conciseness, 31;
preferred nouvelle to conte, 31, 34;
and Poe, 32;
Carmen, Colomba, Arsène Guillot, L’enlèvement de la
redoute, Tamango, La vision de Charles XI, Le vase
 étrusque, 31;
La Vénus d’Ille, 31, 32
Messe de l’athée, La (Balzac), 32
Methodist’s Story, The, 4
Metzengerstein (Poe), 16, 18, 22
Milesian tales, 24
“Mirror, The New York,” 177, 178
Miss Eunice’s Glove (Webster), 247–266
Mitchell, Donald G., 1
Mitford, Mary Russell, 193
Moland and d’Héricault, 325
Monologue, Poe’s, 19
Moral tales, 4, 9, 10, 14, 30;
allegory in, 10, 14;
of Mme. de Genlis, 10;
of Nodier, 10, 30;
oriental setting for, 10
Morella (Poe), 16, 17, 18, 21, 22
Morris, William, 25, 326
Morte Amoureuse, La (Gautier), 33
Mrs. Skaggs’s Husbands (Harte), 230
Musset, Alfred de, 33
My Wife’s Tempter (O’Brien), 211

Narantsauk, 4
Nationality in literature, 3–6, 11, 12
“New England Galaxy, The,” 61
“New England Magazine, The,” 2, 131
“New Home, A,—Who’ll Follow” (Kirkland), 193
“New York Mirror, The,” 177, 178
Nid de rossignols, Le (Gautier), 33
Nodier, Charles, 10, 29, 30, 31;
 preferred nouvelle to conte, 30, 31;
similarity to Hawthorne, 30;
Les quatre talismans, 10;
La combe à l’homme mort, 29, 30;
Smarra, Jean François-les-bas-bleus, Lidivine, La filleule du
Seigneur, 30
“Notes on the Western States” (Hall), 97
Nouvelle, and conte, 30, 31, 33;
and roman, 31
Novel and short story, 8, 12, 13, 15, 21, 25, 26
Novelette, 31
Novella, 27, 30

O’Brien, Fitz-James, 211–228;

biographical and critical note, 211;
The Diamond Lens, The Wondersmith, Tommatoo, My Wife’s
Tempter, 211;
What Was It?, 213–228
Operation in Money, An (Webster), 245
Oriental tales, 10, 25
Outcasts of Poker Flat, The (Harte), 231–243
“Outre-Mer” (Longfellow), 143
“Overland Monthly, The,” 229, 231
Owner of “Lara,” The (Webster), 245

Pardoner, The (Chaucer), 25

Pastoral romance, 25
Paul Felton (Dana), 11
Paulding, James K., Ben Hadar, 10
Peck, Harry Thurston, 326
“Pencillings by the Way” (Willis), 177
Periodicals (see Annuals, Magazines)
Perry, Bliss, 326
Pete Featherton (Hall), 5
Peter Rugg, the Missing Man (Austin), 10, 12, 60–95
Petronius, “Cena Trimalchionis,” “Satyricon,” 24
Philip of Pokanoket (Irving), 9
Picaresque story, 24
Pike, Albert, 12, 113–127;
biographical and critical note, 113;
“Prose Sketches and Poems,” 12, 115;
“Letters from Arkansas,” 113;
“Hymns to the Gods,” 113;
The Inroad of the Nabajo, 115–127
Plot (see Compression, Culmination Novel, Short story, Time-
lapse, Unity)
Plots, simple or complex, 12, 13
Poe, Edgar Allan, 3, 4, 9, 12, 15–23, 32, 33, 153–176, 193, 211;
genius for form, 9, 16;
preoccupation with structure, 16;
review of Hawthorne, 14, 22;
characters, 16;
detective stories, 16, 20;
harmonisation, 16, 23;
refrain, 16, 17, 21;
vocabulary, 16, 17;
cadence, 16;
suppression of introductions, 18, 19;
simplification for directness, 19;
setting, 19;
habit of monologue, 19;
gradation, 20–23;
artificiality, 20, 32;
grotesque, 22;
kinetic narrative, and static, 22;
conception of unity, 22, 23;
application of Schlegel, 22;
review of Mrs. Sigourney, 22;
symbolism, 23;
 and Hawthorne, 18, 20, 23;
and Mérimée, 32;
and Gautier, 33;
and O’Brien, 211;
“Literati,” 193;
Berenice, 2, 3, 16, 18, 21, 22, 33;
Metzengerstein, 16, 18, 22;
Morella, 16, 17, 18, 21, 22;
Ligeia, 16, 18;
King Pest, 18, 22;
The Tell-Tale Heart, 18;
The Fall of the House of Usher, 18, 154–176
“Poetics,” of Aristotle, 13, 19, 20
“Portfolio, The,” 97
Posson Jone (Cable), 34
Poushkin, 34
Premonition, 21, 31
Pride of the Village, The (Irving), 7
Proscrits, Les (Balzac), 32
“Prose Sketches and Poems” (Pike), 12, 114
“Puck,” 289

Quatre talismans, Les (Nodier), 10

Reminiscence of Federalism, A (Sedgwick), 11
Richepin, 34
Rip Van Winkle (Irving), 7, 8, 37–58
Roger Malvin’s Burial (Hawthorne), 13
Romances, short, 4, 10, 11, 25, 27;
American, 4, 11;
summary or scenario, 10, 25;
pastoral, 25;
mediæval, 25–28, 29
Romanticism, 4, 7, 8, 11

“Satyricon” (Petronius), 24
Scarlet Letter, The (Hawthorne), 13, 14
Scenario, or summary romance, 10, 13, 24, 26, 27
Schlegel, Poe’s application of, 22
Scott, Sir Walter, influence of, 11, 37
Sedgwick, Charlotte M., A Reminiscence of Federalism, Mary
Dyre, The Chivalric Sailor, 11
Sequence of incidents, 7, 8, 9, 10, 16, 20–23 (see Gradation)
Setting, 16 (see Local color)
Seven Vagabonds, The (Hawthorne), 230
“Short Sixes” (Bunner), 291
Short story, in antiquity, 24, 25;
in middle age, 25–29;
in France, 29–35;
in America, 1–23, 34, 35;
in England, 33, 34;
in other countries, 34;
popularity of, 3, 34;
distinct from tale and novel, 2, 6, 7, 8, 11, 12, 13, 21, 23–27,
29–31;
unity of, 7, 8, 11–13, 15–23;
intensity of, 12, 13, 32 (see Unity)
“Short-Story, The Philosophy of the” (Matthews), 11, 12, 31, 212,
325
Sights from a Steeple (Hawthorne), 14
Simple plots and complex, 13–15, 25, 26
Simplification of narrative mechanism, 7, 8, 11, 12, 13, 17–20,
23 (see Unity)
Singleness, 13, 15, 19, 31 (see Unity)
Situation, a single, in short story, 12, 26, 27, 28, 31
“Sketch Book, The” (Irving), 7, 8, 37
“Sketches of the West” (Hall), 97
Smarra (Nodier), 30
Snow Image, The (Hawthorne), 14
“Southern Literary Messenger, The,” 2, 33
“Spectator, The,” 6, 7, 9;
influence on Irving, 6, 7;
on the British novel, 6;
in France, 6;
on J. P. Kennedy, 9;
in Virginia, 9
Spectre Bridegroom, The (Irving), 7
Static narrative, and kinetic, 22
Sterne, Lawrence, influence on Gautier, 33
Stevenson, Robert Louis, 34
Stockton, Frank R., The Wreck of the Thomas Hyke, 34
Sunday at Home (Hawthorne), 14
Suspense, 10, 16, 20
“Swallow Barn” (Kennedy), 9
Symbolism, 10, 14, 23, 230

Tale, a constant literary form, 25, 26;

distinct from short story (which see);
anecdote, 10, 24, 26, 29;
summary or fragmentary, 13, 15, 23, 24, 27;
moral, 4, 9, 10, 14, 30;
historical, 4, 5, 9, 10, 11;
yarn, 10, 34;
oriental, 10, 25
Tales, ancient, 23–25;
Milesian, 24;
mediæval, 25–29, 31;
modern French, 30;
American, before 1835, 1–12
“Tales of a Traveller” (Irving), 8, 143
Tamango (Mérimée), 31
Taylor, Bayard, 267–287;
biographical and critical note, 267;
Who Was She?, 269–287
Tell-Tale Heart, The (Poe), 18
Tennessee’s Partner (Harte), 230
Theocritus, the fifteenth idyl of, 25
Thoreau, Henry David, 1
Time-lapse, management of, 8, 11, 12, 13, 19–21, 27–29, 31, 32
“Token, The,” 2, 5
Tommatoo (O’Brien), 211
Totality of interest, Poe’s principle of, 22
Troilus and Criseyde (Chaucer), 25

Unities, the classical, 19, 20, 34, 289

Unity, in short story, of purpose, 8, 16–23;
of tone, 7, 16–19, 22, 23;
of form, 7, 8, 10, 12, 13, 16–19, 22, 23, 25–29, 31–33, 59,
113, 143, 177, 193, 211, 230, 289;
of time, 8, 11, 12, 13, 19–21, 27–29, 31, 32;
of place, 12, 13, 19, 27, 29, 32;
by suppression, 19, 32;
and artificiality, 20, 32

Vase étrusque, Le (Mérimée), 31

Vénus d’Ille, La (Mérimée), 31
Verdugo, El (Balzac), 32
Village Uncle, The (Hawthorne), 14
Vision de Charles XI, La (Mérimée), 31
Voltaire, 10

Wallace, Godfrey, The Esmeralda, 11

 Webster, Albert Falvey, 245–266;
biographical and critical note, 245;
An Operation in Money, The Daphne, A Fool’s Moustache,
The Owner of Lara, 245;
Miss Eunice’s Glove, 247–266
“Weekly Californian, The,” (Harte), 229
“Western Clearings” (Kirkland), 193, 195
“Western Monthly Magazine, The” (Hall), 97
“Western Monthly Review, The,” 5
“Western Souvenir, The” (Hall), 5, 97, 99
What Was It? (O’Brien), 213–228
White Old Maid, The (Hawthorne), 13, 131–142
Whitman, Walt, 3
Who Was She? (Taylor), 269–287
Widow and Her Son, The (Irving), 7
Wife, The (Irving), 7
“Wilderness and the War Path, The” (Hall), 97
Wilkins, Mary E., 11
Willis, Nathaniel Parker, 177–191, 193;
biographical and critical note, 177;
“Pencillings by the Way,” “Dashes at Life with a Free Pencil,”
177;
The Inlet of Peach Blossoms, 179–191
Wives of the Dead, The (Hawthorne), 12, 13
Wondersmith, The (O’Brien), 211
Wreck of the Thomas Hyke, The (Stockton), 34

Yarn, 10, 34
Z. Marcas (Balzac), 32
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