Download the Full Version of the Ebook with Added Features ebookname.

com

Visual Basic 2005 Express Edition for Dummies

Richard Mansfield

https://ebookname.com/product/visual-basic-2005-express-
edition-for-dummies-richard-mansfield/

OR CLICK HERE

DOWLOAD NOW

Download more ebook instantly today at https://ebookname.com

Instant digital products (PDF, ePub, MOBI) available
Download now and explore formats that suit you...

Beginning Visual Basic 2005 Express Edition From Novice to

Professional Peter Wright

https://ebookname.com/product/beginning-visual-basic-2005-express-
edition-from-novice-to-professional-peter-wright/

ebookname.com

Visual Basic 2008 For Dummies Bill Sempf

https://ebookname.com/product/visual-basic-2008-for-dummies-bill-
sempf/

ebookname.com

Introducing Microsoft Visual Basic 2005 for developers

Sean Campbell

https://ebookname.com/product/introducing-microsoft-visual-
basic-2005-for-developers-sean-campbell/

ebookname.com

Decision Making Affect and Learning Attention and

Performance XXIII 1st Edition Mauricio R. Delgado

https://ebookname.com/product/decision-making-affect-and-learning-
attention-and-performance-xxiii-1st-edition-mauricio-r-delgado/

ebookname.com
The Chlamydomonas Sourcebook Introduction to Chlamydomonas
and Its Laboratory Use Volume 1 Second Edition Elizabeth
H. Harris
https://ebookname.com/product/the-chlamydomonas-sourcebook-
introduction-to-chlamydomonas-and-its-laboratory-use-volume-1-second-
edition-elizabeth-h-harris/
ebookname.com

Var■■■rama Compendium Vol 1 The Varnas 2nd Edition

Sivarama Swami

https://ebookname.com/product/var%e1%b9%87asrama-compendium-vol-1-the-
varnas-2nd-edition-sivarama-swami/

ebookname.com

Quantum Groups A Path to Current Algebra 1st Edition Ross

Street

https://ebookname.com/product/quantum-groups-a-path-to-current-
algebra-1st-edition-ross-street/

ebookname.com

Nonveridicality and Evaluation Theoretical Computational

and Corpus Approaches 1st Edition Maite Taboada

https://ebookname.com/product/nonveridicality-and-evaluation-
theoretical-computational-and-corpus-approaches-1st-edition-maite-
taboada/
ebookname.com

Ext JS Application Development Blueprints 1st Edition

Ramsay

https://ebookname.com/product/ext-js-application-development-
blueprints-1st-edition-ramsay/

ebookname.com
The Kademlia Protocol Succinctly 1st Edition Marc Clifton

https://ebookname.com/product/the-kademlia-protocol-succinctly-1st-
edition-marc-clifton/

ebookname.com
Visual Basic® 2005
Express Edition
FOR

DUMmIES
‰

by Richard Mansfield
Visual Basic® 2005
Express Edition
FOR

DUMmIES
‰
Visual Basic® 2005
Express Edition
FOR

DUMmIES
‰

by Richard Mansfield
Visual Basic® 2005 Express Edition For Dummies®
Published by
Wiley Publishing, Inc.
111 River Street
Hoboken, NJ 07030-5774
www.wiley.com
Copyright © 2006 by Wiley Publishing, Inc., Indianapolis, Indiana
Published by Wiley Publishing, Inc., Indianapolis, Indiana
Published simultaneously in Canada
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or
by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permit-
ted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written
permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the
Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600.
Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing,
Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at
http://www.wiley.com/go/permissions.
Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the
Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade
dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United
States and other countries, and may not be used without written permission. Visual Basic is a registered
trademark of Microsoft Corporation in the United States and/or other countries. All other trademarks are
the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or
vendor mentioned in this book.

LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REP-
RESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CON-
TENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT
LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CRE-
ATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CON-
TAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE
UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR
OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A
COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE
AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION
OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FUR-
THER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFOR-
MATION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE.
FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE
CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ.

For general information on our other products and services, please contact our Customer Care
Department within the U.S. at 800-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.
For technical support, please visit www.wiley.com/techsupport.
Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may
not be available in electronic books.
Library of Congress Control Number: 2005927625
ISBN-13: 978-0-7645-9705-3
ISBN-10: 0-7645-9705-1
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
1B/QZ/RR/QV/IN
About the Author
Richard Mansfield’s recent titles include Office 2003 Application Development
All-in-One Desk Reference For Dummies, CSS Web Design For Dummies, Visual
Basic .NET Weekend Crash Course, Visual Basic .NET Database Programming
For Dummies, Visual Basic .NET All-in-One Desk Reference For Dummies, and
Visual Basic 6 Database Programming For Dummies (all from Wiley).

From 1981 through 1987, he was editor of COMPUTE! Magazine, during which
time he wrote hundreds of magazine articles and two columns. From 1987 to
1991, he was editorial director and partner in Signal Research and began writ-
ing books full-time in 1991. He has written 37 computer books since 1982. Of
those, four became bestsellers: Machine Language for Beginners (COMPUTE!
Books), The Second Book of Machine Language (COMPUTE! Books), The
Visual Guide to Visual Basic (Ventana), and The Visual Basic Power Toolkit
(Ventana, with Evangelos Petroutsos). Overall, his books have sold more than
500,000 copies worldwide and have been translated into 11 languages.
Dedication
This book is dedicated to my mother, Florence Mansfield.
Author’s Acknowledgments
I’d like to thank the following people for their contributions to this book.
Acquisitions Editor Katie Feltman is always a pleasure to work with —
knowledgeable, enthusiastic, and good with authors (at least this one, anyway).
Project Editor Becky Huehls also deserves praise for her thoroughgoing edit,
and the many improvements to the book that resulted.

Technical Editor John Mueller is a highly regarded author in the computer

book field (and a friend, and coauthor of previous titles with me). I feel lucky
that he agreed to review my manuscript for errors in both the code and the
concepts. His considerable depth of knowledge contributed to the quality of
the book. If you disagree with some of my technical or theoretical observa-
tions, assume that John did too, but I wasn’t wise enough to take his advice
and change my remarks.

I also want to thank Copy Editor Andy Hollandbeck for making many improve-
ments. Andy not only knows how to write good English, he’s also more famil-
iar than most copy editors with computer programming. Plus, he seems like a
good guy in the bargain. Happily, Andy seems to have pretty balanced views
about the great serial comma debate, and the current conflict over gerunds.

To these, and all the good people at Wiley who contributed in so many addi-
tional ways to this book, my thanks for the time and care they took to ensure
its quality every step along the way from original idea to final publication.
Publisher’s Acknowledgments
We’re proud of this book; please send us your comments through our online registration form
located at www.dummies.com/register/.
Some of the people who helped bring this book to market include the following:

Acquisitions, Editorial, and Composition Services

Media Development
Project Coordinators: Adrienne Martinez,
Project Editor: Rebecca Huehls Kathryn Shanks
Acquisitions Editor: Katie Feltman Layout and Graphics: Carl Byers,
Copy Editor: Andy Hollandbeck Andrea Dahl, Lauren Goddard,
Stephanie D. Jumper, Barry Offringa,
Technical Editor: John Mueller
Mary Gillot Virgin
Editorial Manager: Leah Cameron
Proofreaders: Leeann Harney,
Permissions Editor: Laura Moss Carl William Pierce, TECHBOOKS
Media Development Specialist: Travis Silvers Production Services
Media Development Manager: Indexer: TECHBOOKS Production Services
Laura VanWinkle
Media Development Supervisor:
Richard Graves
Editorial Assistant: Amanda Foxworth
Cartoons: Rich Tennant (www.the5thwave.com)

Publishing and Editorial for Technology Dummies

Richard Swadley, Vice President and Executive Group Publisher
Andy Cummings, Vice President and Publisher
Mary Bednarek, Executive Acquisitions Director
Mary C. Corder, Editorial Director
Publishing for Consumer Dummies
Diane Graves Steele, Vice President and Publisher
Joyce Pepple, Acquisitions Director
Composition Services
Gerry Fahey, Vice President of Production Services
Debbie Stailey, Director of Composition Services
 Contents at a Glance
Introduction ................................................................1
Part I: The Basics of Visual Basic Express ....................11
Chapter 1: What It’s All About: Visual Basic Express Takes a Bow ...........................13
Chapter 2: Up and Running ............................................................................................23
Chapter 3: At Your Service: Loads of Built-In Helpers ................................................35
Chapter 4: Tackling Essential Tools ..............................................................................51

Part II: Programming the Practical Way ......................75

Chapter 5: Common Tasks .............................................................................................77
Chapter 6: It’s All about My ............................................................................................97
Chapter 7: Whose Type Are You: Managing Variable Types ....................................105
Chapter 8: Superstrings: Managing Arrays ................................................................129
Chapter 9: Pretty Printing ............................................................................................143
Chapter 10: Testing and Deployment ..........................................................................161

Part III: Dealing with Databases ...............................179

Chapter 11: The Basics of Databases ..........................................................................181
Chapter 12: Quick Database User-Interface Techniques ..........................................191
Chapter 13: Managing DataSets ...................................................................................209

Part IV: Programming for the Web ............................225

Chapter 14: Painless Internet Programming ..............................................................227
Chapter 15: Everything’s Eventual: Web Page Management ....................................245

Part V: The Part of Tens ...........................................263

Chapter 16: Ten Great Visual Basic Express Tips and Tricks ..................................265
Chapter 17: Ten Important VB Resources ..................................................................277

Appendix A: About the CDs .......................................283

Bonus Appendix B: A Dictionary of VB.NET ....On the Web
Index .......................................................................287
 Table of Contents
Introduction ..................................................................1
Understanding Visual Basic ............................................................................2
Tapping into the Power ...................................................................................2
About This Book ...............................................................................................3
How to Use This Book ......................................................................................4
Foolish Assumptions ........................................................................................5
How This Book Is Organized ...........................................................................6
Part I: The Basics of Visual Basic Express ...........................................6
Part II: Programming the Practical Way ...............................................6
Part III: Dealing with Databases ............................................................6
Part IV: Programming for the Web ........................................................7
Part V: The Part of Tens .........................................................................7
Appendixes ..............................................................................................7
Conventions Used in This Book .....................................................................8
What You Need to Get Started ........................................................................8
Icons Used in This Book ..................................................................................9
Where to Go from Here ....................................................................................9

Part I: The Basics of Visual Basic Express .....................11

Chapter 1: What It’s All About: Visual Basic Express Takes a Bow . . .13
Something Strange Happened in Orlando ...................................................14
Visual Basic through the years ...........................................................14
Visual Basic today ................................................................................15
What Does Visual Basic Express Have to Offer? ........................................15
Defaults that serve a purpose .............................................................16
The Express initiatives .........................................................................16
Finding help ...........................................................................................18
Taking a First Look .........................................................................................19
Creating a user interface helps organize your project ....................20
Programming for the Web ....................................................................21

Chapter 2: Up and Running . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Finding Resources from Microsoft ...............................................................23
Building a Basic VB Program ........................................................................24
Random documents with unrelated
content Scribd suggests to you:
Généviève, St., 182
Gens d’armes, 216
German school of painting, 25
Germain, St., 203
Globes, 250
Gobelins, 235
Governmental class of society, 55, 59
Guards, consular, 84
Guercino, paintings of, 37, 173
Guides, les, 215
Guido, paintings of, 36
Guillotine, 225
Gyzen, Peter, 27

H.
Hameau de Chantilly, 229
Harpe, la, 256
Hayes, de, 190
Henry, the Fourth, original manuscript of, 252
Henry, madame, 127
Holbein, Hans, paintings of, 27
Horses, 177, 202, 270
Horsemanship, exhibitions of, 181
Hospitals, 304
Hotels, 9, 272
list of the best in Paris, and their prices, 273
Houses, description of an elegant Parisian house, 60
expense of, 267

I & J.
Jets d’eau at St. Cloud, 193
at Versailles, 197
Illuminations, description of, at Paris, 47, 179, 220
Indifference in the french people, 179
Inns, 8
Institute, national, 259
Institution for the deaf and dumb, 69
for the blind, 103
for les enfans trouvés, 236
Introduction to Bonaparte, 158
Invalides, 238
Italian opera, 42, 128
Italian school of painting, 31
Judges of the tribunals, 222
Justice of a juge de paix at Versailles, 199

K.
Kosciusko, 145

L.
Lanfranco, 38
Laocoon, description of the statue, 21
La partie de chasse de Henri IV, 133
Laquais de place, expense of, 270
Lectures, account of, 256
Legislative body, account of its sittings, 63
Leonardo da Vinci, paintings of, 38, 173
Lewis XIV, memoirs of his own times, 251
Libraries, want of circulating, in Paris, 264
Library, national, 250
of the Pantheon, 254
des quatre nations, 255
Mazarine, ib.
of the institute, ib.
of the legislature, tribunate, senate, &c., ib.
Literature, advantages in the pursuits of, at Paris, 249
Lodgings, price of, 272, 273
London compared with Paris, 282
Long Champ, 205
Louvois, théâtre, 127
Louvre, 11
Luxembourg, palace of, 181
Lyceum, 255

M.
Malmaison, 203
Mamalukes, 217
Manuscripts, cabinet of, 257
Maria Cosway, her paintings and proposed engravings, 15
Marley, 203
Masquerade at Paris, 5
Massieu, deaf and dumb pupil of l’abbé Sicard, 71, 105
Mauvais compagnie, definition of the phrase, 54
Mazarine library, 255
Medals, cabinet of, 251, 253
Ménagerie, 260
Military made use of on trifling occasions, 214
Mineralogy, collection of, 262
Mistakes of the french concerning english names, 127
Molière’s plays, 120
Molière, théâtre de, 129
Montreuil, 5
Monuments, collection of, 242
Moreau, general, 135
Monvel, 119
Mousseux, garden of, 229
Museum of arts, 11, 166
of monuments, 239

N.
National institute, 259
National library, 250
New year’s day kept at Paris, 98
Noir, le, 240

O.
Observatory, 236
Œconomy of Paris, 267
Opera, french, 123
Opera, italian, 42, 128
Orange, prince of, his introduction to Bonaparte, 159
Orators, french, 89

P.
Paintings, gallery of, 11, 166
catalogue of, 23, 169
at Versailles, 195
restored, 167
Palace Royal, 99
of Versailles, 195
of Justice, 222
Pantheon, description of, 182
library of, 254
Paris, view of, 183, 230
streets of, 227, 293
compared with London, 282
Parvenues, or third class of society, 55, 60
Passports, 3, 8
Paul Potter, paintings of, 28
Payne, of the York Hotel, Dover, 1
People, better behaved to their superiours since the revolution,
6
Pettit, madame, 116
Phantasmagorie de Robertson, 131
Phyllis, mademoiselle, 126
Plate glass, manufactory of, 105
Police, their order, 93
Pordenone, paintings of, 171
Portalis, account and speech of, 87
Poussin, Nicholas, paintings of, 23
Price of posting, 5
of the various articles of life, 269
of tickets for the play, 122, 268, 272
Printing by the blind, 103
Provision, price of, 269

R.
Raphael, paintings of, 38, 171
Recommendation, letters of, necessary, 291, 292
Religion, reestablishment of, 213
Rembrandt, paintings of, 28
Restaurateurs, 278
Restout, paintings of, 24
Review of troops before Bonaparte, 81
Road from Calais, 4
Rousseau, tomb of, 186
Rubens, paintings of, 29, 171

S.
Sacchi, Andrea, paintings of, 172
Salon des étrangers, 92
Salvator Rosa, 172
Savage of Aveyron, 109
Sèvre, manufactory of, 193
Shakspeare, opinion of the french concerning him, 77
Shorthand defined by a deaf and dumb youth, 107
Sicard, abbé, 69
Societies, literary and scientific, 249, 264
Society, state and classes of, in Paris, 53, 74
Spectacle, definition of the word, 41
Spectacles, general account of, 116
Stables of Chantilly, 8
of Versailles, 202
Statues, gallery of, 16
Sueur, le, Eustache, paintings of, 24

T.
Tallien, madame, 95
Talma, 116
Taxes, 56
Tea assemblies, 74
Temple of Mars, 233
Teniers, the elder and the younger, paintings of, 31
Texier, 133
Theatre, general account of, 116
Comique, rue Feydeau, 125
 de la Gaieté, 131
de l’Ambigu Comique, 130
de la République et des Arts, 123
de Molière, 129
des jeunes Artistes, 130
des jeunes Élèves, 131
du Marais, ib.
François de la République, 116
Italian Opera, 42, 128
Louvois, 127
Montansier, 129
sans Pretension, 121
Vaudeville, 126
Thuilleries, 10
Tintoret, paintings of, 173
Titian, paintings of, 39, 172
Tivoli, the gardens of, 232
Tom Jones, a french play, 127
Traiteurs, a list of the principal, 278
Trial at Versailles, 199
Trianon, le Grand, 203
le Petit, Hôtel at Versailles, exorbitant charges, 198
garden of, 202
Tribunal de Cassation, 223
de la Police Correctionelle, ib.
Tribunals of justice, 222
Tribunal, sitting of, 87
Turenne, tomb of, 245, 247
Turnpikes, 8
 V.
Van Loo, Carlo, paintings of, 25
John Baptist, paintings of, ib.
Lewis Michael, paintings of, ib.
Venetian horses at the gates of the Thuilleries, 11
Veronese, Alexander, paintings of, 38
Paul, paintings of, ib.
Versailles, 192, 194
Vestris, 163
Vinci, Leonardo da, 38, 173
Visits, 284
Vivacity wanted in french society, 80
Volney, mademoiselle, 116
Voltaire, tomb of, 186

W.
Walse, description of this dance, 142
Wild boy of Aveyron, 109

Y.
York Hotel, Dover, 1
 ERRATA.
Transcriber’s Note: the errata have been corrected. In addition, accents in the French
have been standardized, and obvious typographical errors have been amended.

Page 14, l. 17, for chefs d’œuvre, read chefs d’œuvres.

⸺ 33, No. 713, for occupation, read vocation.
⸺ 45, l. 21, for merits, read talents.
⸺ 56, l. 20, for public offices hereditary in their families,
read public offices which had become
almost hereditary in their families.
⸺ 79, l. 9, for c’est moi qui a traduit, read c’est moi qui
ai traduit.
⸺ 91, l. 3, for ce climate, read ce climat.
⸺ 93, l. 6, for nor, read or.
⸺ 102, l. 19, for Monteaussier,” read Montansier.”
⸺ 105, l. 6, the word illness ought not to have been in
italics.
⸺ 114, l. 8, for that too, read those too.
⸺ 119, l. 21, for “Morvel,” read “Monvel.” [Transcriber’s
Note: also changed in the index.]
⸺ 159, l. 23, for count, read marquis.
⸺ 160, l. 13, for des Anglois, read d’Anglois.
⸺ 171, No. 61, for Justus, Lipsius, read Justus Lipsius.
⸺ 182, l. 8, for even, read ever.
⸺ 184, l. 15, for it was proposed to confer immortality by
burying in its vaults, read it was
 proposed, by burying in its vaults, to
confer immortality.
⸺ 195, note, l. 1, put on before ne.
⸺ 203, last line, for moderate, read moderately.
⸺ 218, l. 9, for Thoulouse, read Tours. [Transcriber’s
Note: also changed in the index.]
l. 17, the words in the same pulpit, should be
omitted.
⸺ 224, l. 19, for Seine, read la Seine.
⸺ 231, l. 10, for Prince de Condé, read Comte D’Artois.
⸺ 234, l. 4, for infinitely, read much.
⸺ 246, l. 9, for statues, read tombs.
⸺ 257, l. 8, for Perpignan, read Pompignan.
l. 18, for publique,” read public.”
⸺ 260, l. 1, read “Colin d’Harleville.”
⸺ 268, l. 15, and note l. 1, read baignoir.”
⸺ 280, l. 3, after and, add the.
⸺ 285, l. 8, of the note, add that, after that.
⸺ 294, l. 1, for affords, read afford.
⸺ 303, l. 1, for having, read have. [Transcriber’s Note:
This change didn’t need making. The
original text already read “have”,
correctly.]
⸺ 307, l. 19, read Lyons, Switzerland, and Italy.
⸺ 318, l. 18, read Montansier. [Transcriber’s Note: Also
changed twice on page 129, to which
this index entry refers.]

G. Woodfall, Printer, Paternoster-row.

*** END OF THE PROJECT GUTENBERG EBOOK A ROUGH SKETCH
OF MODERN PARIS ***

Updated editions will replace the previous one—the old editions

will be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the

free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only

be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project

Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United

States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is

derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is

posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files
 containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute

this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or

providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
 payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project

Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except

for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you

discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set

forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the

Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission

of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project

Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500

West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
 Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws

regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states

where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot

make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current

donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About

Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several

printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,

including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and

personal growth!

ebookname.com