100% found this document useful (1 vote)
26 views

McGraw Hill s Nursing School Entrance Exams 1st Edition Thomas Evangelist - Quickly download the ebook to read anytime, anywhere

The document provides information about various nursing school entrance exams and resources for prospective nursing students, including details on test preparation and study strategies. It features links to download specific textbooks and ebooks related to nursing and other educational subjects. Additionally, it outlines the structure of the nursing profession and the importance of proper preparation for entrance exams.

Uploaded by

lulovigudia
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
26 views

McGraw Hill s Nursing School Entrance Exams 1st Edition Thomas Evangelist - Quickly download the ebook to read anytime, anywhere

The document provides information about various nursing school entrance exams and resources for prospective nursing students, including details on test preparation and study strategies. It features links to download specific textbooks and ebooks related to nursing and other educational subjects. Additionally, it outlines the structure of the nursing profession and the importance of proper preparation for entrance exams.

Uploaded by

lulovigudia
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 43

Download the full version and explore a variety of ebooks

or textbooks at https://ebookultra.com

McGraw Hill s Nursing School Entrance Exams 1st


Edition Thomas Evangelist

_____ Follow the link below to get your download now _____

https://ebookultra.com/download/mcgraw-hill-s-nursing-
school-entrance-exams-1st-edition-thomas-evangelist/

Access ebookultra.com now to download high-quality


ebooks or textbooks
We have selected some products that you may be interested in
Click the link to download now or visit ebookultra.com
for more options!.

Nursing School Entrance Exam CliffsTestPrep 1st Edition


Fred N. Grayson

https://ebookultra.com/download/nursing-school-entrance-exam-
cliffstestprep-1st-edition-fred-n-grayson/

Catholic High School Entrance Exams For Dummies For


Dummies Career Education 1st Edition Lisa Zimmer Hatch

https://ebookultra.com/download/catholic-high-school-entrance-exams-
for-dummies-for-dummies-career-education-1st-edition-lisa-zimmer-
hatch/

McGraw Hill s I V Drug Handbook McGraw Hill Handbooks 1st


Edition Patricia Schull

https://ebookultra.com/download/mcgraw-hill-s-i-v-drug-handbook-
mcgraw-hill-handbooks-1st-edition-patricia-schull/

McGraw Hill Dictionary of Environmental Science 1st


Edition Mcgraw-Hill

https://ebookultra.com/download/mcgraw-hill-dictionary-of-
environmental-science-1st-edition-mcgraw-hill/
McGraw Hill Manual Colorectal Surgery Mcgraw Hill Manual
1st Edition Andreas Kaiser

https://ebookultra.com/download/mcgraw-hill-manual-colorectal-surgery-
mcgraw-hill-manual-1st-edition-andreas-kaiser/

McGraw Hill dictionary of earth science 2nd ed Edition


Mcgraw-Hill

https://ebookultra.com/download/mcgraw-hill-dictionary-of-earth-
science-2nd-ed-edition-mcgraw-hill/

McGraw Hill s ACT 2010 Edition Steven Dulan

https://ebookultra.com/download/mcgraw-hill-s-act-2010-edition-steven-
dulan/

McGraw Hill s ACT 2009 Edition Steven Dulan

https://ebookultra.com/download/mcgraw-hill-s-act-2009-edition-steven-
dulan/

Glencoe McGraw Hill Math Triumphs Foundations For Algebra


2 spiral bound Teacher s Edition 2010 Glencoe Mcgraw-Hill

https://ebookultra.com/download/glencoe-mcgraw-hill-math-triumphs-
foundations-for-algebra-2-spiral-bound-teacher-s-edition-2010-glencoe-
mcgraw-hill/
McGraw Hill s Nursing School Entrance Exams 1st
Edition Thomas Evangelist Digital Instant Download
Author(s): Thomas Evangelist, Tamra Orr, Judy Unrein
ISBN(s): 9780071599382, 007159938X
Edition: 1
File Details: PDF, 2.54 MB
Year: 2008
Language: english
McGraw-Hill’s

NURSING SCHOOL
ENTRANCE EXAMS
This page intentionally left blank
McGraw-Hill’s

NURSING SCHOOL
ENTRANCE EXAMS
National League for Nursing Pre-Admission
Examination (NLN PAX-RN) • Nurse Entrance Test
(NET) • Test of Essential Academic Skills (TEAS)
• Psychological Services Bureau (PSB) Nursing
School Aptitude Examination (RN) • Center for
Nursing Education and Testing (C-NET) Pre-Nursing
Assessment Test–RN

THOMAS A. EVANGELIST
TAMRA B. ORR
JUDY UNREIN

New York Chicago San Francisco Lisbon London Madrid Mexico City
Milan New Delhi San Juan Seoul Singapore Sydney Toronto
Copyright © 2009 by The McGraw-Hill Companies, Inc. All rights reserved. Except as permitted under the United States
Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a
database or retrieval system, without the prior written permission of the publisher.

ISBN: 978-0-07-159938-2

MHID: 0-07-159938-X

The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-159937-5, MHID: 0-07-159937-1.

All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a
trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of
infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps.

McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in
corporate training programs. To contact a representative please visit the Contact Us page at www.mhprofessional.com.

TERMS OF USE

This is a copyrighted work and The McGraw-Hill Companies, Inc. (“McGraw-Hill”) and its licensors reserve all rights in and to
the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act of 1976 and the right to store
and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative
works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hill’s
prior consent. You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohib-
ited. Your right to use the work may be terminated if you fail to comply with these terms.

THE WORK IS PROVIDED “AS IS.” McGRAW-HILL AND ITS LICENSORS MAKE NO GUARANTEES OR WAR-
RANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM
USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA
HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING
BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PUR-
POSE. McGraw-Hill and its licensors do not warrant or guarantee that the functions contained in the work will meet your
requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill nor its licensors shall be liable to you
or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom.
McGraw-Hill has no responsibility for the content of any information accessed through the work. Under no circumstances shall
McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that
result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This
limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or
otherwise.
Contents

How to Use This Book ix

1. Getting Into Nursing School .............................................1


Mary Ann Cantrell, PhD, RN

What Is a Nurse? 1
Is a Nursing Career Right for You? 2
Advantages and Rewards of a Nursing Career 3
Types of Nursing Education Programs 4
Which Program Is Right for You? 7
The Admissions Process and How to Apply 8
Financial Aid for Nursing Students 10

2. All About the Exams ........................................................13


National League for Nursing Pre-Admission
Examination (NLN PAX-RN) 14
Nurse Entrance Test (NET) 17
Test of Essential Academic Skills (TEAS) 20
Psychological Services Bureau (PSB) Nursing School
Aptitude Examination (RN) 24
Center for Nursing Education and Testing (C-NET)
Pre-Nursing Assessment Test-RN 26

3. Setting Up Your Study Plan .............................................29


Create a Plan That Is Right for You 29
Use Time Wisely 31

4. Strategies to Raise Your Score ........................................33


General Test-Taking Strategies 33
Tips for Test Day 35

5. Diagnostic Test .................................................................37


Section 1. Verbal Skills 41
Section 2. Reading Comprehension 47
Section 3. Mathematics 51

v
Section 4. Science 56
Answer Key 61
Explanations 63

6. Verbal Ability .................................................................73


Grammar 74
Sentence Structure 83
Spelling 90
Punctuation 93
Vocabulary 98
Answers to Verbal Ability Quizzes 101

7. Reading Comprehension .............................................107


Preparing for Reading Comprehension 107
Types of Reading Comprehension Questions 109
Test-Taking Tips for Reading Comprehension 111
Quizzes and Answers 111

8. Mathematical Ability ...................................................133


Integers 134
Computation 136
Exponents 145
Roots 146
Decimals 147
Fractions 149
Percentages 154
Converting Fractions, Decimals, and Percents 154
Mean, Median, and Mode 160
Algebra 161
Charts, Graphs, and Tables 167
Geometry 173
Proportions and Ratios 187
Converting English and Metric Units 191
Applied Math 194
Spatial Relations 198
Solutions 199

9. Science Review .............................................................213


Review of Biological Sciences 213
Cell Structure 213
Organ System Anatomy 224

vi CONTENTS
Plants 242
Mendelian Genetics 244
Ecology 246
Diversity of Life 249
Answers to Biological Sciences Quizzes 250

Review of Physical Sciences: Chemistry 253


Scientific Notation and the Metric System 253
Atomic Structure 254
The Periodic Table 259
Bonding 263
Phases of Matter 266
The Mole 269
Solutions 271
Organic Chemistry 274
Acids and Bases 277
Answers to Chemistry Quizzes 281

Review of Physical Sciences: Physics 286


Kinematics 286
Newtonian Mechanics 287
Work and Energy 288
Waves 289
Electricity 291
Answers to Physics Quiz 294

10. Practice Tests ................................................................295


Verbal Skills Test 1 297
Verbal Skills Test 2 311
Reading Comprehension Test 1 325
Reading Comprehension Test 2 337
Mathematics Test 1 349
Mathematics Test 2 361
Science Test 1 373
Science Test 2 385
Answer Key 396
Explanations 400

CONTENTS vii
This page intentionally left blank
How to Use This Book

W elcome to McGraw-Hill’s Nursing School Entrance Exams. You have


made the decision to become a nurse, and you are looking forward to
all the advantages and rewards of a nursing career, but now you need to suc-
ceed on your nursing school entrance test. We are here to help you.
This book has been created by a dedicated team of teachers and test-prep ex-
perts. Together they have helped thousands of students to score high on all
kinds of exams. They have pooled their knowledge to make this the most ef-
fective test-prep program available for nursing school entrance exams.
McGraw-Hill’s Nursing School Entrance Exams contains a wealth of fea-
tures to help you do your best. Follow these steps to get the most out of your
study time:
• Read Chapter 1 to learn important basic information for people entering
the nursing field. Written by a leading nursing professional, this chapter
will tell you what kinds of nursing education programs are available to
you, how the admissions process works, and how you can apply for finan-
cial aid. This chapter also includes important advice on how to decide if
nursing is the right career field for you.
• Read Chapter 2 to find out about the major admissions test used by nurs-
ing schools nationwide. You will learn how the tests are structured, what
subjects they cover, what kinds of questions they ask, and how they are
scored. Find out which of these tests is required by the school to which you
are applying, and then focus your preparation accordingly.
• Read Chapter 3 to learn how to set up your study plan. A handy chart is
provided to show you which subjects are covered on which tests. This will
help you decide which of the following chapters in this book are the ones
you need to focus on.
• Read Chapter 4 to learn some important test-taking strategies that can
help you improve your score.
• Take a Diagnostic Test in Chapter 5. This test covers the same subjects as
the real nursing school entrance exams and includes many questions in sim-
ilar formats. Use the results to help you pinpoint your strengths and weak-
nesses and to identify which subjects you need to study most carefully.
• Read Chapters 6 through 9 to find comprehensive reviews of the sub-
jects tested on nursing school entrance exams. Focus on the subjects that
are on the exam you will be taking. Concentrate particularly on the sub-
jects that gave you the most difficulty on the Diagnostic Test in Chapter 5.
• Find practice tests in Chapter 10 for all the subject areas that are on
nursing school entrance exams. Take the ones on the subjects that will be
ix
on your real exam. For some exams, you will want to try all of the practice
tests. For each one, set aside enough time to take the whole test at one sit-
ting, screen out distractions, and concentrate in doing your best. If you ap-
proach these tests as you would the real exam, they should give you a good
idea of how well you are prepared. After you take the tests, read through
the explanations for each question, paying particular attention to those you
answered incorrectly or had to guess on. If necessary, go back and reread
the corresponding sections in the subject reviews in Chapters 6 through 9.

Different people have different ways or preparing for tests. You need to find
a preparation method that suits your schedule and your learning style. We
have tried to make this book flexible enough for you to use in a way that
works best for you. However, for this as for any other test, there is no substi-
tute for serious intensive review and study. The more time and effort you de-
vote to preparing, the better your chances of achieving your goal.

x HOW TO USE THIS BOOK


McGraw-Hill’s

NURSING SCHOOL
ENTRANCE EXAMS
This page intentionally left blank
CHAPTER 1

Getting Into
Nursing School
Mary Ann Cantrell, PhD, RN

Nursing is the protection, promotion, and optimization of health and


abilities; prevention of illness and injury; alleviation of suffering
through the diagnosis and treatment of human response; and advo-
cacy in the care of individuals, families, communities, and populations.
—The American Nurses Association (ANA)

Read this chapter to learn


• How to decide whether a nursing career is right for you
• What the advantages and rewards of a nursing career are
• What types of nursing education programs are available
• How to decide which program is right for you
• How to apply to nursing schools
• How to obtain financial aid

WHAT IS A NURSE?
A nurse is a person who combines science and technology with people skills
such as communication, problem solving, teaching, and compassion to meet
the health care needs of individuals, families, and communities. Nurses are
the backbone of the U.S. health care system. In addition for caring for the
sick, nurses work to:
• Promote health
• Prevent disease
1
• Help patients and their families cope with illnesses, emergencies, and long-
term disease
• Save lives
• Build healthier communities
A career in nursing is very demanding, not just physically but also intellectu-
ally, emotionally, and spiritually. But it can also be extremely rewarding. The
common saying “what you put into something is what you get out of it” def-
initely holds true for nursing.
To become a registered nurse (RN), you must:
• Graduate from a state-approved school of nursing
• Pass a state licensing examination called the National Council Licensure
Examination for Registered Nurses (NCLEX-RN)

Registered Nurse versus


Licensed Practical Nurse
Students who are considering a nursing career may not know the differences
between a registered nurse (RN) and a licensed practical nurse (LPN), some-
times referred to as a licensed vocation nurse (LVN). To become an LPN, a
person must:
• Graduate from a year-long program that is usually provided at a vocational
or technical school
• Take and successfully pass an examination called the NCLEX-PN (a dif-
ferent examination from the NCLEX-RN required for an RN license)
An LPN functions under the direction of an RN and consequently has less
autonomy and a more narrow scope in his or her practice or role in provid-
ing care. The salary of an LPN is also considerably lower than the average
salary of an RN. In 2005, there were about 710,000 LPNs in the United
States.

IS A NURSING CAREER RIGHT


FOR YOU?
How can you tell if a nursing career is right for you? To answer that question,
you will need to think carefully about your own personal and professional
goals. Also, and just as important, you will need to find out exactly what a
nursing career entails. You can begin this process by searching nursing career
options on the Internet or reading career materials in a bookstore or in a
guidance counselor’s office. These activities are a good starting point, but
you will probably want to learn still more about what nurses actually do. One
way to do this is to volunteer at a local hospital. Volunteering gives you a
first-hand view of the hospitalization experience and the role of the nurse.
Most nurses, whether they work in a hospital, an outpatient clinic, or a nurse-
run clinic, are willing to talk to others interested in becoming a nurse. If you

2 NURSING SCHOOL ENTRANCE EXAMS


Exploring the Variety of Random
Documents with Different Content
"What are we waiting for?" she said sharply. "Let us go on to the
inquest. I wish to get it over as soon as possible and return to
town."

We took the hint, and walked along to a room adjoining the morgue,
where the inquest was being held. I introduced Merrick to the
inspector, and after a short conversation they went into the morgue
to examine the body. Not caring to see so ghastly a sight, I
remained outside with Francis. In a quarter of an hour the doctor
and the inspector returned, the former rubbing his hands with a
well-pleased expression, the latter looking somewhat astonished.
What had passed in the morgue I know not, as Merrick refused to
gratify my curiosity.

"Wait till you hear the evidence of Strent," he said significantly.

The jury was made up of well-to-do Marshminster tradesmen, who


took a profound interest in the proceedings, as the dead man was
the brother of Miss Bellin's future husband. The Bellins were the
great people of the neighborhood, and the tradesmen hoped to
serve the Hall when Mr. and Mrs. Briarfield settled there. They were,
therefore, excessively polite to Francis, but their frequent marks of
attention only drew from him a bitter smile.

"Would they treat me in this way if they knew all?" he whispered to


me.

"They will never know all," I answered in the same tone.

I had spoken to the inspector, and he in his turn had talked seriously
with the coroner. The latter had been told the whole story, and,
though astonished at the folly of Francis, yet found it in his heart to
be sorry for the young man. He said he would not question Francis
more than was necessary, and we hoped to carry through the
inquest without exposing the underlying romance.
The first witness called was a local doctor, who deposed to having
examined the body of Felix. He gave it as his opinion that the young
man had died of poison, and explained the state of the blood with a
lot of medical technicalities which none of the jury understood. It
was, said the doctor, a case of blood poisoning, and the deceased
had been wounded in the hand by some sharp instrument which had
been steeped in poison.

I came next, and narrated how I had stayed at the Fen Inn on that
night, and had met there Francis Briarfield, who was waiting there
for his brother. Then I told of the discovery of the corpse, and the
finding of the arrowhead in the fireplace. I said nothing about my
tracking the trail to the pool, and if possible we wished that portion
of the evidence to be passed over in silence. Fortunately the jury
were a dull-headed lot, and submitted quietly to the guidance of the
coroner. He only asked questions pertinent to the death without
going too deeply into the subject. At this point I produced the
arrowhead.

Francis explained that he had arrived from Chili on the 6th of June
and had gone at once to the Fen Inn at the request of his brother
Felix. His brother had not arrived on that night, and he had gone to
bed. He was unable to say how his brother had come by his tragic
end. Then came the critical point which we wished passed over in
silence.

"Did you see your brother at the Fen Inn, Mr. Briarfield?" asked the
coroner.

"I did not see my brother alive," was the evasive answer.

"Perhaps the body had been put in the pool by the murderer," said
one of the jurymen, "in which case Mr. Briarfield would not see him."

"I did not go to the pool on that night," replied Francis, adroitly
evading the remark; "it was later on that I learned my brother's
body was there, and at once gave instructions that the pool was to
be dragged."

At this point Mr. Briarfield was asked to stand down, and the
inspector's evidence was taken. He deposed to the fact that Mr.
Briarfield had instructed him to drag the pool for the body, and that
it was found there.

This piece of evidence quite put the jury off the scent, as if Francis
had placed the body in the pool, he would not have told the
inspector where to find it. The critical point was thus glided gently
over, and the coroner called Rose Gernon. Once the jury knew how
the crime had been committed, they would forget all about the
hiding of the body in the pool, so that the folly of Francis would not
be made public.

I must say that Rose Gernon gave her evidence very clearly. She
said she was an intimate friend of Felix Briarfield's, a statement
which rather shocked the moral tradesmen of Marshminster. Felix
asked her to go down to the inn, as he had prepared it for his
brother, and wished to see him there about a family matter.

"But the inn was a ruin," interrupted a juryman.

Miss Gernon said that was very true. Still it was habitable, and Mr.
Felix Briarfield had sent on fuel and provisions. As the former
proprietor had left all the furniture, the rooms were fairly
comfortable. She could not say why Felix did all this, unless it was
that he wanted to see his brother privately.

Such talk was very weak, and the jurymen looked significantly at
one another. They knew the Fen Inn, and could not conceive that
anyone could be so mad as to dwell in it even for a night. It was
said to be haunted, and though such a superstition might be scoffed
at, yet not one of those present would have passed twelve hours of
darkness in that ill-omened place.
"Were you not afraid when you saw the Lone Inn?" asked a juryman.

Rose shrugged her shoulders and laughed contemptuously.

"I am afraid of nothing," she said coolly; "there are no such things
as ghosts. Besides, I had my brother with me."

"Your brother!"

"Yes, Edward Strent."

The inspector gave a low whistle, and, catching my eye, nodded


significantly. He remembered what I had said on the previous night,
and now agreed with my theory that the secret of the committal of
the crime lay in the relationship existing between Rose and Strent.
They were, it appeared, brother and sister. I saw all kinds of
possibilities now that such a tie was made clear. Meanwhile Rose
proceeded with her evidence.

"Mr. Felix Briarfield came to the inn," she said, "after his brother had
gone to rest. I saw and spoke with him, and afterward went to bed
myself. I understood that he was going to stay all night and see his
brother in the morning."

"Was he alone in the room when you left him?"

"No; he was with Strent. An hour or so after I retired Strent came to


my door and asked me to go downstairs. I did so, and found Felix
lying dead on the floor. My brother had left the room, and on going;
out at the back of the house I found him mounting the horse of Mr.
Francis Briarfield. I asked him what had happened, and he just said
Felix was dead, and advised me to fly lest I should be accused of the
murder."

"That, I suppose, was also the reason of his flight?"


"So he told me when I saw him in London, but he then declared
himself innocent of the crime. I was afraid I would be accused of the
crime, so took the horse and gig in which we had come to the Fen
Inn, and drove to Marshminster. From there I returned to London.

"Why did you not give the alarm?"

"I was afraid of being accused of the murder."

Here the inspector whispered something in the ear of the coroner.


He nodded, and again spoke to Rose Gernon.

"Why did you not tell Mr. Denham where to find Strent when he was
apparently guilty?"

"Strent is my brother," said Rose quietly, "and as he told me he was


innocent, I did not wish him to be arrested for the crime. But that he
visited me yesterday, and was seen by the men set to watch me, he
would never have been caught."

Her examination lasted some considerable time, but the coroner did
not succeed in eliciting anything new from her. She persistently held
to the same story, so in despair the examiner desisted, and she was
told to stand down. In her place Edward Strent was called, and then
for me began the most interesting part of the case. I knew all that
had been said hitherto, but I did not know how the crime had been
committed, and waited to hear what Strent had to say. I quite
believed him to be guilty, yet hardly thought he would accuse
himself of the crime.

He first corroborated the story of Rose as to going to the inn, and


narrated all that had occurred up to the time when he was left alone
in the room with Felix.

"When I found myself alone with Briarfield," he proceeded, "I had a


quarrel with him."
"About what?"

"About my sister. He had promised to marry her, yet, as I well knew,


was paying attentions to Miss Bellin."

"But Miss Bellin was engaged to his brother," remarked a juryman.

"I know that. It was about Miss Bellin he wished to see his brother. I
insisted that he should marry my sister, and he refused. We had hot
words. He was on one side of the table, I on the other. Between us
lay the arrowhead, which he had brought in his pocket."

"Why had he brought the arrowhead there?"

"I don't know," replied Strent, lying with the utmost promptitude.
"He took the arrowhead out of his pocket, said it was poisoned, and
laid it down on the table."

"Do you think he intended to kill his brother because he stood in his
way with Miss Bellin?" asked an inquisitive juryman of a romantic
turn of mind.

"I really don't know, sir," replied Strent, looking the juryman straight
in the face. "He said nothing to me. We were quarreling over the
shabby way in which he had treated my sister, and the arrowhead
was on the table between us."

"What was the position of the arrowhead?" asked the coroner


prompted by Merrick.

"It was leaning against a book which was on the table, and the point
was uppermost. I said to Mr. Briarfield: 'Will you marry my sister?'
and he said: 'No; I'm ---- if I will.' While saying this, he brought
down the open palm of his hand on the arrowhead, and gave a cry
of pain. When he lifted his hand, it had a ragged wound across it
from the thumb to the little finger. I wished to bind it up, but he
pushed me away, crying out he was a dead man. In three minutes
he was lying dead on the floor. I threw the arrowhead into the
fireplace, and tried to revive him, but it was no use. He was dead!"

"And you?"

"I was afraid I would be accused of the death, as Mr. Denham or Mr.
Francis might have heard us quarreling together. I lost my head
altogether, and only thought of flight. I ran up to my sister's room,
and told her Felix was dead. Then I saddled the horse. When she
came to the door, I was mounting. I told her to take the gig and fly
to Marshminster, and that I would explain all in London."

"You fled like a coward!"

"I suppose I did," said the man sullenly, "but I was beside myself
with terror. I rode to Starby, and gave the horse back to the livery-
stable keeper. Then I went to London and saw my sister. She agreed
with me that it was best to keep quiet, so I did not come forward to
give evidence. Had it not been for that detective who watched my
sister, I should not be here now."

This evidence practically ended the inquest. Merrick was called to


prove that the wound in the hand was such a one as might have
been made by the downward stroke of the hand on a sharp point.
This evidence was substantiated by the local practitioner, who had
examined the body with Dr. Merrick. There was no doubt that the
affair had happened as Strent said. Felix Briarfield had slapped his
open hand on the table to emphasize his refusal to marry Rose
Gernon. Unfortunately, it came in contact with the poisoned
arrowhead. The flint had an edge like a razor, and, being steeped in
virulent poison, acted like a snakebite on the unfortunate young
man. Felix had not been murdered, but died by misadventure.

This was the verdict brought in by the jury, and so the whole of this
strange affair came to an end. Thanks to the astuteness of the
inspector, and the delicacy of the coroner, the jury were quite
unaware of what had happened between the death of Felix and the
inquest. The reporters of the Marshminster Gazette merely put in a
short statement of the affair, and in a few days people ceased to
take any interest in the Fen Inn crime. It was a lucky escape for
Francis, but I don't think the lesson was thrown away on him.

Rose Gernon and her brother went back to town the same evening. I
never saw Strent again, but frequently had the pleasure of seeing
his sister performing on the stage. She is now engaged to be
married, but with the knowledge of her actions at the Fen Inn I
cannot say I envy the bridegroom.

After the burial of Felix I went abroad with Francis, whose health
was quite broken down by the strain put on it during the last few
weeks. He returned in six months, and married Olivia. She was told
all that had taken place in the Lone Inn, but kept the information to
herself. Mrs. Bellin never knew that Felix had substituted himself for
Francis. I was best man at the wedding by particular request, and
saw the happy pair start for their honeymoon. I hope they will be
happy, and am sure they deserve to be, seeing through what
tribulations they have passed.

"What has become of the Fen Inn?" asked Dr. Merrick, one day,
when we were talking over the case.

"Oh, the Fen Inn is pulled down, I believe," was my reply. "There will
be no more tragedies there."

"A fit end for such a shambles," said Merrick; and I think he was
about right.

THE END.
*** END OF THE PROJECT GUTENBERG EBOOK THE LONE INN: A
MYSTERY ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for


the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,


the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and


personal growth!

ebookultra.com

You might also like