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JavaFX Developing Rich Internet Applications 1st
Edition Jim Clarke Digital Instant Download
Author(s): Jim Clarke, Jim Connors, Eric J. Bruno
ISBN(s): 013701287X
Edition: 1
File Details: PDF, 7.86 MB
Year: 2009
Language: english
JavaFX™
Ken Arnold, James Gosling, David Holmes Mark Hapner, Rich Burridge, Rahul Sharma, Joseph
The Java™ Programming Language, Fourth Edition Fialli, Kim Haase
Joshua Bloch Java™ Message Service API Tutorial and Reference:
Effective Java™ Programming Language Guide Messaging for the J2EE™ Platform
Joshua Bloch Eric Jendrock, Jennifer Ball, Debbie Carson, Ian Evans,
Effective Java™, Second Edition Scott Fordin, Kim Haase
The Java™ EE 5 Tutorial, Third Edition
Stephanie Bodoff, Eric Armstrong, Jennifer Ball,
Debbie Bode Carson, Ian Evans, Dale Green, Jonni Kanerva
Kim Haase, Eric Jendrock The Java™ FAQ
The J2EE™ Tutorial, Second Edition Jonathan Knudsen
Mary Campione, Kathy Walrath, Alison Huml Kicking Butt with MIDP and MSA: Creating Great
The Java™ Tutorial: A Short Course on the Basics, Mobile Applications
Third Edition Doug Lea
Mary Campione, Kathy Walrath, Alison Huml, The Concurrent Programming in Java™: Design Principles
Tutorial Team and Patterns, Second Edition
The Java™ Tutorial Continued: The Rest of the JDK™ Rosanna Lee, Scott Seligman
Patrick Chan JNDI API Tutorial and Reference: Building Directory-
The Java™ Developers Almanac 1.4, Volume 1: Enabled Java™ Applications
Examples and Quick Reference Sheng Liang
Patrick Chan The Java™ Native Interface: Programmer’s Guide and
The Java™ Developers Almanac 1.4, Volume 2: Specification
Examples and Quick Reference Tim Lindholm, Frank Yellin
Patrick Chan, Rosanna Lee The Java™ Virtual Machine Specification, Second Edition
The Java™ Class Libraries, Second Edition, Roger Riggs, Antero Taivalsaari, Jim Van Peursem,
Volume 2: java.applet, java.awt, java.beans Jyri Huopaniemi, Mark Patel, Aleksi Uotila
Patrick Chan, Rosanna Lee, Doug Kramer Programming Wireless Devices with the
The Java™ Class Libraries, Second Edition, Java™ 2 Platform, Micro Edition
Volume 1: java.io, java.lang, java.math, java.net, Rahul Sharma, Beth Stearns, Tony Ng
java.text, java.util J2EE™ Connector Architecture and Enterprise
Kirk Chen, Li Gong Application Integration
Programming Open Service Gateways with Java™ Inderjeet Singh, Beth Stearns, Mark Johnson,
Embedded Server Technology Enterprise Team
Zhiqun Chen Designing Enterprise Applications with the J2EE™
Java Card™ Technology for Smart Cards: Platform, Second Edition
Architecture and Programmer’s Guide Inderjeet Singh, Sean Brydon, Greg Murray, Vijay
Jim Clarke, Jim Connors, Eric Bruno Ramachandran, Thierry Violleau, Beth Stearns
JavaFX™: Developing Rich Internet Applications Designing Web Services with the J2EE™ 1.4 Platform:
JAX-RPC, SOAP, and XML Technologies
Maydene Fisher, Jon Ellis, Jonathan Bruce
Kathy Walrath, Mary Campione, Alison Huml,
JDBC™ API Tutorial and Reference, Third Edition
Sharon Zakhour
Eric Freeman, Susanne Hupfer, Ken Arnold The JFC Swing Tutorial: A Guide to Constructing GUIs,
JavaSpaces™ Principles, Patterns, and Practice Second Edition
Li Gong, Gary Ellison, Mary Dageforde Steve Wilson, Jeff Kesselman
Inside Java™ 2 Platform Security: Architecture, API Java™ Platform Performance: Strategies and Tactics
Design, and Implementation, Second Edition Sharon Zakhour, Scott Hommel, Jacob Royal,
James Gosling, Bill Joy, Guy Steele, Gilad Bracha Isaac Rabinovitch, Tom Risser, Mark Hoeber
The Java™ Language Specification, Third Edition The Java™ Tutorial: A Short Course on the Basics,
Fourth Edition
Chet Haase, Romain Guy
Filthy Rich Clients: Developing Animated and
Graphical Effects for Desktop Java™ Applications
Developing Rich
Internet Applications
Jim Clarke
Jim Connors
Eric Bruno
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiii
Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xv
Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xxi
About the Authors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xxiii
vii
Class Declaration 36
Mixin Classes 38
Object Literals 40
Variables 41
Sequences 45
Declaring Sequences 45
Accessing Sequence Elements 47
Modifying Sequences 47
Native Array 48
Functions 49
Strings 50
String Literals 50
Formatting 52
Internationalization 52
Expressions and Operators 55
Block Expression 55
Exception Handling 55
Operators 56
Conditional Expressions 57
Looping Expressions 58
Accessing Command-Line Arguments 61
Built-in Functions and Variables 61
Chapter Summary 64
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
It is not often that you get the chance to witness (let alone participate in!) the
birth of a truly disruptive technology. We are now at a juncture where informa-
tion is pervasive—there is a convergence that will allow us to seamlessly move
from one information source to another as we conduct our daily lives. Whether
we are operating our smart phones, watching television, using our laptops, or
interacting with screen-based devices that are yet to be invented, we are con-
stantly connected to the world.
The key to making this vision a reality is the implementation of a common platform
that works across all these screens. The Java platform set the bar for “write once,
run anywhere”; JavaFX raises that bar by allowing us to write rich, immersive
applications that run not only on every platform, but look good on every screen.
JavaFX is more than that, of course. It’s about
• Employing visual effects to make the graphics stand out and appear real
• Adding animation to bring the screen to life
• Engaging the auditory and visual senses to more effectively convey
information
• Combining all of these qualities to create compelling applications that are
also fun to use
Of course, these capabilities are useless if applications cannot be crafted easily
and quickly. Another goal of JavaFX is to make development simpler, easier,
more productive—and more fun. The JavaFX script language was built from the
ground up to support the scene-graph-based programming model, allowing the
code to have a structure similar to the data structures it creates. Instead of looking
xiii
for an esoteric “main” routine, the primary entry point is a “stage.” The stage has
a “scene,” and “nodes” make up the elements in the scene. The analogy to the
real world should be clear to all.
Second, the language supports, as a first class concept, the notion of binding
between data elements. What used to take many lines of repetitive (and error-
prone) listener code is now represented using a simple bind declaration. As a
result, the display and your data model are automatically kept in sync, without
having to write the many lines of code that would otherwise be required to con-
nect them.
Lastly, the JavaFX platform provides a robust set of framework classes that allow
you to quickly and simply exploit the most advanced features, such as animations,
visual effects, and sophisticated visual transitions. All this adds up to a highly
productive environment that allows you to quickly deploy the most advanced
applications to both desktops and mobile devices in a fraction of the time.
Programmer productivity is only part of the story—rich applications also require
participation from graphic designers and UI designers. JavaFX provides tools to
integrate the graphic design process with the development process. For instance,
the creative folks typically design the application’s look and feel, produce graph-
ical assets, and then hand all of this over to the development team to create the
program logic. The JavaFX Production Suite facilitates this handoff in an effi-
cient way that allows developers and designers to collaborate easily.
When I joined the JavaFX project, I knew that I had embarked on a journey to
create the best Rich Internet Application platform on the planet—a journey that
has only just begun. I invite you to join this journey, with this book as your start-
ing point. It begins with the basics and builds up to deploying a full-fledged
application in JavaFX, covering all the features and capabilities that JavaFX pro-
vides along the way. Once you learn JavaFX, I’m sure you will be just as enthu-
siastic about this technology as I am. I welcome you aboard.
John Burkey
Chief JavaFX architect
What Is JavaFX?
JavaFX is actually a family of products developed at Sun Microsystems. There
are initiatives for mobile phones, consumer, television, and desktop devices. The
cornerstone to these projects is JavaFX. JavaFX is a platform that includes a high
performance declarative scripting language for delivering and building a new
generation of Rich Internet Applications.
The primary focus of JavaFX is to make graphical user interface development easy
while embracing more compelling features like visual effects, sound, and anima-
tion. JavaFX includes a ready-made framework to support graphic components
and to easily include multimedia features like pictures, video, audio, and anima-
tion. Using the Java platform at its core, JavaFX works seamlessly with the Java
platform and can easily leverage existing Java code. This also allows JavaFX to
leverage the “write once, run anywhere” capability provided with the Java platform.
xv
Why JavaFX?
Anyone who has ever written a graphical user interface application can appreci-
ate the complexity of creating such an application. Though the resulting user
interface can produce a powerful user experience, developing a cool application
can be a daunting task. It takes a skilled developer who knows the graphical lan-
guage and framework inside-out to pull off a well-written UI. JavaFX addresses
this complexity.
Furthermore, graphic design and programming are two distinct skills. Graphic
designers focus on the human interaction with the application, and are more
interested in keeping the human’s interest and making the system intuitive. On
the other side, the program developers are typically concerned with implement-
ing business logic and interacting with back-end servers. It is a rare breed that
masters both of these skills. JavaFX’s goal is to bridge these two crafts by allow-
ing the graphic designer to dabble in an easily understood programming lan-
guage, while at the same time allowing the developer the flexibility to implement
the business rules behind the user interface.
JavaFX does this by
• Simplifying the programming language
• Providing ready-built user interface components and frameworks to sup-
port UI creations
• Making it easy to update existing UI applications
• Providing a cross-platform environment that delivers on “Write Once,
Run Anywhere”
is designed to perform those functions that enhance the user’s experience. Fur-
thermore, communications with the server do not have to be initiated from a user
action, like clicking on a button. Instead, a server itself can update the client with
fresh content asynchronously as needed and without waiting for the end user to
perform some action or by employing other tricks in the client like periodically
polling the server.
So what is old is new again. In a sense this is true, but this really represents an
evolution of the client server paradigm rather than a retrenchment back to the old
days of the monolithic program that did everything. The key to a Rich Internet
Application is striking the proper balance between behavior that should stay on
the client with the behavior that rightfully belongs on the server. JavaFX is a
framework that embraces the Rich Internet Application model.
We have used a building block approach with basic concepts covered first and
more complex features addressed later in the book, so we suggest you read each
chapter in sequential order. If you are a graphic designer, you may be more inter-
ested in Chapter 2. You can safely start there, then jump back to Chapter 1 to dig
deeper into JavaFX. If you are an “über”-coder, you can safely skip Chapter 2,
but we still suggest you eventually read it just to know what the “dark” side is
doing. Chapter 11 assumes you have a good understanding of the Java platform
and APIs. If you do not plan to comingle your Java classes with JavaFX source
in your application, you can safely skip this chapter. The last two chapters show
some code examples based on the foundations laid down in the earlier chapters.
Here’s the book in a nutshell:
• Chapter 1: Getting Started. This chapter gets you set up and shows the
basics of creating and running a JavaFX program.
• Chapter 2: JavaFX for the Graphic Designer. This chapter explains how
a graphic designer would use JavaFX to create JavaFX Graphical Assets.
• Chapter 3: JavaFX Primer. This chapter covers the basic JavaFX Script
syntax.
• Chapter 4: Synchronize Data Models—Binding and Triggers. JavaFX
Script introduces a data binding feature that greatly simplifies the model-
view-controller design pattern. This chapter explains the concepts of data
binding in the JavaFX Script language.
• Chapter 5: Create User Interfaces. The primary focus of JavaFX is to
create rich user interfaces. This chapter explores the visual components
One of the first spooks with which the young practitioner will be
confronted is the bugbear of Ethics—don’t overlook the big E. It will
be in front of him on graduation day, his preceptor will dangle it
before his eyes as he hands him his papers, and it will be continually
bobbing up after he has hung out his shingle.
Now ethics in its place is a good thing. It is especially essential in
the medical profession in which, without a due regard for the
proprieties, many men would be tempted to go astray. And this
temptation is by no means slight at times. But there is such a thing
as overdoing the ethical proposition. It becomes monotonously
annoying for a man to have his every movement watched and
judged from the ethical standpoint by a lot of self-constituted
censors. The average physician, in his bearing toward his younger
brother does not ask himself the old question, “Am I my brother’s
keeper?” Not at all. On the contrary the worst of it is he assumes an
opposite attitude and by his actions asserts “I am my brother’s
keeper.”
In a way these men assume the right to dog and spy upon the
movements of other physicians on the plea that they are doing it for
the benefit of the profession—to see that the great Code of Ethics is
not violated. What they are really after, nine times out of ten, is to
make sure that the young, progressive practitioner who has the tact
and ability to build up a good-paying practice does not encroach
upon their preserves. This is bad enough, but there is a worse side.
In nearly every instance those who howl the loudest about violations
of the code, are gross offenders themselves. This is a bold assertion,
but the proof will be furnished later on.
One of the things specially cited as an unpardonable violation of
ethics is the courting of newspaper and similar publicity.
“My dear boy,” one of these old-time offenders will say, “you must
not allow your name to appear so frequently in print. It is
undignified and unethical. Our profession is one of mighty dignity
and responsibility, and you owe it to yourself and your brother
physicians to avoid anything which tends to lower or debase it. I
know it is only human to seek notoriety of this kind, and that it is
valuable so far as the mere getting of money goes, but we must be
actuated by higher, nobler motives.”
It is practically a certainty—with rare exception—that the man who
gives this advice, is bending every energy, and using every possible
means to secure the same kind of publicity. He knows that fame and
wealth come from keeping one’s name constantly before the public.
In every large city we will find physicians of wealth and fame, of
whose every movement the newspapers seem to have information in
advance. How do they get it? Let us analyze the conditions.
Under his professional obligation Dr. Soakum is bound to observe
and live up to the code of ethics. He prates loud and often about the
beauties of an ethical life, and the uninitiated might well suppose
that his was a model existence in this respect. But, is it not a trifle
strange that whenever Dr. Soakum, owing to his great skill and
fame, is called out of town to attend some prominent personage in
another city the newspapermen know he has been summoned. More
than this, they know where he is going, whom he is going to see,
and what train he is going on. Strange, is it not?
It is no uncommon occurrence to read items like the following in
the daily press:
Dr. Soakum, the distinguished specialist in chronic disorders, left for
San Francisco yesterday, having been summoned by wire to attend the
Hon. Million Moneybags, who is seriously ill with chronic nephritis. The
patient, whose disability at this time is of grave import to a number of
large business transactions, has been under the care of a number of
famous physicians, but his great confidence in the skill of Dr. Soakum led
to the hasty summoning of the latter.
Dr. Soakum, who was seen by our reporter just as he was boarding the
Overland limited confirmed the report. He added that the time of his stay
was uncertain, as the case is a most important one, and may demand his
undivided attention for some weeks. During his absence Dr. Soakum’s
vast practice will be looked after by his associate, Dr. Bleedum. He added
that he was both surprised and annoyed to think the news had leaked
out.
Surprised! Annoyed! Not on your life. This was only a bit of stage
play, of dramatic action, on the part of Dr. Soakum. Real surprise,
real annoyance and real anger would have resulted only from the
failure of the reporter to appear after the careful arrangements
which had been made to ensure his attendance.
How often have many of us read items like the following in the
daily press:
At last there is hope for the consumptive. Dr. Killem, the eminent
specialist, whose success in the treatment of tuberculosis has aroused
wide interest in the medical profession, has made public the details of his
treatment by means of which such wonderful results have been obtained.
“I would have done this long ago,” said Dr. Killem to a reporter for the
Morning Howl, yesterday, “were it not that I desired to be absolutely
certain as to the permanent efficacy of the treatment. Now that there is
no longer room for doubt on this point I feel at liberty to act.
“The essential feature in my method is,”——
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