Building Responsive Data Visualization for the

Web 1st Edition Hinderman pdf download

https://ebookname.com/product/building-responsive-data-
visualization-for-the-web-1st-edition-hinderman/

Get Instant Ebook Downloads – Browse at https://ebookname.com

Instant digital products (PDF, ePub, MOBI) available
Download now and explore formats that suit you...

Interactive Data Visualization for the Web An

Introduction to Designing with D3 2nd Edition Scott
Murray

https://ebookname.com/product/interactive-data-visualization-for-
the-web-an-introduction-to-designing-with-d3-2nd-edition-scott-
murray/

Jump Start Responsive Web Design 1st Edition Craig

Sharkie

https://ebookname.com/product/jump-start-responsive-web-
design-1st-edition-craig-sharkie/

Python Data Visualization Cookbook Milovanovi■

https://ebookname.com/product/python-data-visualization-cookbook-
milovanovic/

Annual Reports on NMR Spectroscopy 69 1st Edition

Graham A. Webb (Eds.)

https://ebookname.com/product/annual-reports-on-nmr-
spectroscopy-69-1st-edition-graham-a-webb-eds/
Trauma Counselling 2nd Edition Alida Herbst

https://ebookname.com/product/trauma-counselling-2nd-edition-
alida-herbst/

The Art of Happiness 10th Anniversary Edition A

Handbook for Living Lama

https://ebookname.com/product/the-art-of-happiness-10th-
anniversary-edition-a-handbook-for-living-lama/

Biochemical Engineering A Textbook for Engineers

Chemists and Biologists 2nd Edition Shigeo Katoh

https://ebookname.com/product/biochemical-engineering-a-textbook-
for-engineers-chemists-and-biologists-2nd-edition-shigeo-katoh/

Dirty Japanese Everyday Slang from What s Up to F Off

Matt Fargo

https://ebookname.com/product/dirty-japanese-everyday-slang-from-
what-s-up-to-f-off-matt-fargo/

Euripides I The Complete Greek Tragedies Third Edition

David Grene & Richmond Lattimore

https://ebookname.com/product/euripides-i-the-complete-greek-
tragedies-third-edition-david-grene-richmond-lattimore/
Theophylact of Ochrid Reading the Letters of a
Byzantine Archbishop Margaret Mullett

https://ebookname.com/product/theophylact-of-ochrid-reading-the-
letters-of-a-byzantine-archbishop-margaret-mullett/
Building Responsive Data Visualization for the Web
Building Responsive
Data Visualization
for the Web
Bill Hinderman
Building Responsive Data Visualization for the Web

Published by
John Wiley & Sons, Inc.
10475 Crosspoint Boulevard
Indianapolis, IN 46256
www.wiley.com

Copyright © 2016 by John Wiley & Sons, Inc., Indianapolis, Indiana

Published simultaneously in Canada

ISBN: 978-1-119-06714-6
ISBN: 978-1-119-06713-9 (ebk)
ISBN: 978-1-119-06720-7 (ebk)

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any
means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections
107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or
authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood
Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should
be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201)
748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.

Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties
with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties,
including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended
by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situ-
ation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting,
or other professional services. If professional assistance is required, the services of a competent professional person
should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that
an organization or Web site is referred to in this work as a citation and/or a potential source of further information
does not mean that the author or the publisher endorses the information the organization or website may provide or
recommendations it may make. Further, readers should be aware that Internet websites listed in this work may have
changed or disappeared between when this work was written and when it is read.

For general information on our other products and services please contact our Customer Care Department within the
United States at (877) 762-2974, outside the United States at (317) 572-3993 or fax (317) 572-4002.

Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with
standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to
media such as a CD or DVD that is not included in the version you purchased, you may download this material at
http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com.

Library of Congress Control Number: 2015951125

Trademarks: Wiley and the Wiley logo are trademarks or registered trademarks of John Wiley & Sons, Inc. and/
or its affiliates, in the United States and other countries, and may not be used without written permission. All other
trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or
vendor mentioned in this book.
 For my grandmother, Mary.
You showed me that the Internet is for people.
 A
About
the Author

Bill Hinderman is a software engineer and

designer from Chicago. He is the lead site
optimization UI engineer at Orbitz Worldwide
(orbitz.com), and a space cadet and designer
at Starbase Go (starbasego.com). He designs,
prototypes, develops, and A/B tests experimen-
tal new products for customer-facing brands.

He works alongside artistic and entrepreneurial

individuals to craft innovative web experiences.
Bill received his B.S. in computer science with
a specialization in UI development from the
University of Illinois in 2012. He’s a speaker at
conferences on the future of web development,
data visualization, and cross-platform design.

Bill is an avid runner and cocktail-maker, and he can wear the hell out of a suit.
When he was four, he penned My Book About Me, in which he stated that he was
glad he wasn’t a giraffe, and that his least favorite thing to do was sitting. Both of
those statements hold true to this day.

 vii
 A
About the Technical Editor

Randy Krum is an infographics and data visualization designer, author of the book
Cool Infographics: Effective Communication with Data Visualization and Design
(Wiley, 2014), and instructor of Infographics and Data Visualization Design at
Southern Methodist University’s Continuing and Professional Education program
(CAPE). Randy also runs the popular website Coolinfographics.com. Started in
2007, the site has grown into one of the most influential infographic sites online,
handling up to 50,000 unique visitors per day. He is the founder and president of
InfoNewt, a design company that creates infographics and visualizations for clients
used for both online marketing and internal communications. Randy speaks at con-
ferences, universities, corporate events, and government agencies about infographic
design, data visualization methods, visual content marketing, and the effective use
of visual information. Learn more at RandyKrum.com.

 ix
 C
Credits

Acquisitions Editor Professional Technology &

Strategy Director
Jim Minatel
Barry Pruett
Project Editor
Business Manager
Adaobi Obi Tulton
Amy Knies
Technical Editor
Project Coordinator, Cover
Randy Krum
Brent Savage
Production Editor
Interior Designer and Compositor
Rebecca Anderson
Happenstance Type-O-Rama
Copy Editor
Proofreader
Luann Rouff
Nancy Carrasco
Manager of Content
Development and Assembly Indexer
Mary Beth Wakefield Johnna VanHoose Dinse

Marketing Director Cover Designer

David Mayhew Bill Hinderman

Marketing Manager Cover Image

Carrie Sherrill Bill Hinderman

 xi
 A
Acknowledgments

I want to thank Carol Long from John Wiley & Sons. After opening for the morn-
ing coffee break at the Data Visualization Summit in Boston, you walked up to me
with a coffee in one hand and a business card in the other, and asked if I would like
to write a book. Without your willingness to approach some ridiculous 24-year-old
kid, this whole thing never would have happened.

I also have to give my most heartfelt appreciation to my project editor, Adaobi Obi
Tulton. You were equal parts patient and stern regarding deadlines and deliverables,
in a way that made this long book-making process enjoyable.

I also owe a massive thanks to Randy Krum for not only acting as technical editor
on the book, but also giving me advice—as someone who has done this same thing
before—on pitfalls to avoid, and paths to take.

Finally, I want to offer apologies to any family members, friends, coworkers, and
strangers I was rude to, short with, or otherwise unpleasant to be around during
deadline weeks. I promise it wasn’t you.

 xiii
 C
Contents

00
Introduction xxv

PART ONE: Creating the Responsive Web

01
The Mobile Web
How We Got Here
3
4
The Web’s History 5
The Rise of Mobile Devices 8
The Mobile Tipping Point 10
The Mobile Web Today 13
Mobile Web Considerations 13
Benefits of the Mobile Web 15
Building for the Most Users 17
Mobile Web Design 17
The Way To Build Today 18
A Taste of Progressive Enhancement 20
Summary 23

xv
 02
Responsive Web Design Tenets 25
The Gist 26
Building for the Limited User 27
Building for Every User 28
Adaptive vs. Responsive 29
The Broad Adaptive 29
Limiting Your Adaptive Design Definition 33
Desktop-First vs. Mobile-First 36
Four Principles 38
Be Universal 39
Be Flexible 43
Be Economical 46
Be Specific 47
Seven Points of Focus 49
Measure 50
Flow 51
Nesting 54
Endpoints 57
Breakpoints 59
Typography 63
Images 66
Summary 69

03
Working with a Flexible Grid
The Gist
71
72
What Is a Grid System? 72
Flexible Units 75
The Meticulous Client 75
Moving to Relative Units 79

xvi Contents
 Using a Grid System 81
Another Project 82
Branching Out 93
Creating a Reusable, Flexible Grid (in Five Easy Steps) 93
Unit 95
Gutter 95
X-Count 95
Columns 96
Rows 96
Putting It All Together 97
Summary 98
Try It 98

04
Designing Responsive
Layouts with CSS 101
The Gist 102
A Brief History of CSS 102
You’ve Come a Long Way, Baby 103
Responsive Layout Design 118
The Media Query 118
Starting from the Bottom 127
The Reusable Responsive Grid 144
Building a Reusable Grid 145
Building a Responsive Grid 147
Summary 148
Try It 149

Contents xvii
 05
Enhancing with JavaScript
Using JavaScript
151
152
JavaScript Enables Rich Interactivity 153
Remember Progressive Enhancement 155
Sensible Defaults 157
Responsive JavaScript 163
Server-Side Feature Detection 164
Building from CSS 164
JavaScript’s matchMedia Object 166
Limber Up 168
AJAX 168
Perceived Performance 172
Summary 182
Try It 182

PART TWO: Creating Responsive

Data Visualization

06
Data Design:
An Abridged History 187
Learning From Data 188
Data, Information, and Knowledge 189
Size Matters 191
Data’s Data 192
The Big Pile 193
Extracting Meaning 193
Communicating Meaning 195

xviii Contents
 What You Get from the Web 210
Interactivity 211
A Taste of Responsive 212
Summary 214

07
Responsive Data
Visualization Tenets 217
Designing Content-First 218
Still Just the Web 219
Distilling Data 220
Revisiting Responsive Design Principles 229
Be Universal 230
Be Flexible 232
Be Economical 235
Be Specific 240
Seven Points of Focus 241
Measure 242
Flow 245
End points 247
Breakpoints 249
Grouping Points 252
Images 253
Layering 256
Responding to Data 258
Know Your Audience 259
Know Your Data 260
Summary 261

Contents xix
 08
Thinking Small
Designing for the Smallest Canvas: No Canvas
263
264
Building for a Blind User 266
The Good API 269
The API-First Team 278
The Tiny Canvas 279
The Fitness App 279
Layering 283
Enhancing Efficiently 285
Growing Up 286
First, Change Everything 287
They’re Just Numbers 290
Summary 291

09
Asset Dependence
Dynamic Data
293
294
Dipping Your Toe In 294
Data versus Screen 298
Reacting to Data Changes 301
Tying Visualization to Screens 308
Grouping Again 309
Summary 312
Try It 313

xx Contents
10
Code-Driven Visualization
Unknown Inputs and Outputs
315
316
To the User 317
To the Data 317
Putting It Together 320
Using D3.js 320
Getting Started with D3.js 321
Data and the DOM 348
Building Responsive Data Visualization for the Web 354
Client Responsiveness 355
Data Responsiveness 361
The Bigger Picture 363
Rational Defaults 363
Driving Design with Data 371
Clear, Not Clever 372
Summary 372
Try It 373

11
Building the
Future-Friendly Web 375
The Future of Data Design 376
Growing Stockpiles of Data 377
Setting a Standard for Data Markup 378

Contents xxi
 Embracing Uncertainty 379
Where Complexity Lies Today 380
The Future-Friendly Manifesto 381
Responsible Web Design 385
Building API-first 386
Respecting Progressive Enhancement 386
Innovating 388
Standardizing 388
Summary 389

PART THREE: Additional Resources

A
Resources
Responsive Data Visualization
393
394
Grids 394
Infographic Design 394
Responsive Design 395
D3.js 395
More Resources Online 396

Index 397

xxii Contents
Random documents with unrelated
content Scribd suggests to you:
 27

♍
The goddess of the rosy morn,
Whose smiles with health, our cheeks adorn;
Then tell as quickly as you can,
The Poets much enduring man;
The Youth who gave the cup on high,
When fair Hebe left the sky;
The Muses name, I'd have you find,
Most to astronomy inclin'd;
Then take the River, at whose sound,
The gods, eternally are bound;
The Muse, before whose comic eye,
Despair and melancholy fly;
The initials join'd, will surely find,
Amusement for your active mind,
And rightly plac'd, will soon appear
A month, within the circling year.

A. R.
29
KEY TO THE ENIGMAS.

♈
Mary,
Anne,
Richard
the
Third,
Charles
the First,
Henry
the
Eighth.

♐
Nero,
Octavia,
Vespasia
n,
Eneas,
Maximu
m,
Brutus,
Equi,
Romulus.
♎
Stentor,
Echo,
Prometh
eus,
Tartarus,
Elysian,
Midas,
Boreas,
Eurydice,
Rhadam
anthus.

♑
Dover,
Ely,
Cambrid
ge,
Eton,
Monmou
th,
Boswort
h,
Epsom,
Rosamon
d.
♌
Johnson,
Usher,
Littleton,
Young.

♒
Janus,
Ambrosia
,
Nectar,
Ulysses,
Achilles,
Rhodes,
Youth.

♋
John,
Union,
Nelson,
Elizabeth
.

♉
Augustus
,
Pompey,
Regulus,
Incitatus
,
Lucretia.

♓
Fortune,
Endymio
n,
Briseis,
Rhea,
Ulysses,
Alcmena,
Rhesus,
Youth.

♏
Oxford,
Caen in
Normand
y,
Thames,
Ormskirk
,
Buxton,
 Earthqua
ke,
Reading.

♊
Milton,
Addison,
Young.

♍
Aurora,
Ulysses,
Ganyme
des,
Urania,
Styx,
Thalia.

Darton, Printer, Holborn Hill.

 Errata.
The first line indicates the original, the second how it should read:
p. 9:

And sigh for sigh, when your're alone;

And sigh for sigh, when you're alone;

p. 23:

Whose opulent stream wild meandring flows,

Whose opulent stream wild meandering flows,

p. 24:

A month, when its pleasant a ramble to take.

A month, when it's pleasant a ramble to take.

p. 26:

These writers, when their names yon know,

These writers, when their names you know,
*** END OF THE PROJECT GUTENBERG EBOOK CLASSICAL
ENIGMAS, ADAPTED TO EVERY MONTH IN THE YEAR ***

Updated editions will replace the previous one—the old editions

will be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the

free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only

be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project

Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United

States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is

derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is

posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files
 containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute

this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or

providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
 payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project

Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except

for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you

discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set

forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the

Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission

of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project

Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500

West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
 Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws

regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states

where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot

make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current

donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About

Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several

printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,

including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and

personal growth!

ebookname.com