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Image Processing, Analysis, and
Machine Vision
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Image Processing, Analysis, and
Machine Vision
Fourth Edition
Milan Sonka
The University of Iowa, Iowa City
Vaclav Hlavac
Czech Technical University, Prague
Roger Boyle
Prifysgol Aberystwyth, Aberystwyth
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Image Processing, Analysis, and © 2015, 2008 Cengage Learning
Machine Vision, Fourth Edition WCN: 02-200-203
Milan Sonka, Vaclav Hlavac, and
Roger Boyle ALL RIGHTS RESERVED. No part of this work covered by the
copyright herein may be reproduced, transmitted, stored or used
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Cengage Learning
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Abbreviations
1D one dimension(al)
2D, 3D, ... two dimension(al), three dimension(al), ...
AAM active appearance model
AGC automatic gain control
AI artificial intelligence
ART adaptive resonance theory
ASM active shape model
BBF best bin first
BBN Bayesian belief network
BRDF bi-directional re ectance distribution function
B-rep boundary representation
CAD computer-aided design
CCD charge-coupled device
CHMM coupled HMM
CIE International Commission on Illumination
CMOS complementary metal-oxide semiconductor
CMY cyan, magenta, yellow
CONDENSATION CONditional DENSity propagATION
CRT cathode ray tube
CSF cerebro-spinal uid
CSG constructive solid geometry
CT computed tomography
dB decibel, 20 times the decimal logarithm of a ratio
DCT discrete cosine transform
DFT discrete Fourier transform
dof degrees of freedom
DPCM differential PCM
DWF discrete wavelet frame
ECG electro-cardiogram
EEG electro-encephalogram
EM expectation-maximization
FFT fast Fourier transform
FLANN fast library for approximate nearest neighbors
FOE focus of expansion
GA genetic algorithm
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GB Giga byte = 230 bytes = 1,073,741,824 bytes
GIS geographic information system
GMM Gaussian mixture model
GRBF Gaussian radial basis function
GVF gradient vector ow
HDTV high definition TV
HLS as HSI
HMM hidden Markov model
HOG histogram of oriented gradients
HSI hue, saturation, intensity
HSL as HSI
HSV hue, saturation, value
ICA independent component analysis
ICP iterative closest point algorithm
ICRP iterative closest reciprocal point algorithm
IHS intensity, hue, saturation
JPEG Joint Photographic Experts Group
Kb Kilo bit = 210 bits = 1,024 bits
KB Kilo byte = 210 bytes = 1,024 bytes
KLT Kanade-Lucas-Tomasi (tracker)
LBP local binary pattern
LCD liquid crystal display
MAP maximum a posteriori
Mb Mega bit = 220 bits = 1,048,576 bits
MB Mega byte = 220 bytes = 1,048,576 bytes
MB, MB2 Manzanera–Bernard skeletonization
MCMC Monte Carlo Markov chain
MDL minimum description length
MJPEG motion JPEG
MPEG moving picture experts group
MRF Markov random field
MRI magnetic resonance imaging
MR magnetic resonance
MSE mean-square error
MSER maximally stable extremal region
ms millisecond
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s microsecond
OCR optical character recognition
OS order statistics
PCA principal component analysis
PDE partial differential equation
p.d.f. probability density function
PDM point distribution model
PET positron emission tomography
PMF Pollard-Mayhew-Frisby (correspondence algorithm)
PTZ pan-tilt-zoom
RANSAC RANdom SAmple Consensus
RBF radial basis function
RCT reversible component transform
RGB red, green, blue
RMS root mean square
SIFT scale invariant feature transform
SKIZ skeleton by inference zones
SLR single lens re ex`
SNR signal-to-noise ratio
STFT short term Fourier transform
SVD singular value decomposition
SVM support vector machine
TLD tracking-learning-detection
TV television
USB universal serial bus
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Symbols
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# number of (e.g., pixels)
B point set symmetrical to point set B
morphological dilation
morphological erosion
morphological opening
morphological closing
morphological hit-or-miss transformation
morphological thinning
morphological thickening
^ logical and
_ logical or
trace sum of elements on the matrix main diagonal
cov covariance matrix
sec secant, sec = 1= cos
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Contents
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xii Contents
2.7 Exercises 46
2.8 References 48
3 The image, its mathematical and physical background 50
3.1 Overview 50
3.1.1 Linearity 50
3.1.2 The Dirac distribution and convolution 51
3.2 Linear integral transforms 52
3.2.1 Images as linear systems 53
3.2.2 Introduction to linear integral transforms 53
3.2.3 1D Fourier transform 54
3.2.4 2D Fourier transform 59
3.2.5 Sampling and the Shannon constraint 62
3.2.6 Discrete cosine transform 65
3.2.7 Wavelet transform 66
3.2.8 Eigen-analysis 72
3.2.9 Singular value decomposition 73
3.2.10 Principal component analysis 74
3.2.11 Radon transform 77
3.2.12 Other orthogonal image transforms 78
3.3 Images as stochastic processes 79
3.4 Image formation physics 82
3.4.1 Images as radiometric measurements 82
3.4.2 Image capture and geometric optics 83
3.4.3 Lens aberrations and radial distortion 86
3.4.4 Image capture from a radiometric point of view 89
3.4.5 Surface re ectance 92
3.5 Summary 95
3.6 Exercises 97
3.7 References 98
4 Data structures for image analysis 100
4.1 Levels of image data representation 100
4.2 Traditional image data structures 101
4.2.1 Matrices 101
4.2.2 Chains 104
4.2.3 Topological data structures 106
4.2.4 Relational structures 107
4.3 Hierarchical data structures 108
4.3.1 Pyramids 108
4.3.2 Quadtrees 109
4.3.3 Other pyramidal structures 111
4.4 Summary 112
4.5 Exercises 113
4.6 References 115
5 Image pre-processing 116
5.1 Pixel brightness transformations 117
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Contents xiii
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xiv Contents
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Contents xv
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xvi Contents
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Contents xvii
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xviii Contents
15 Texture 747
15.1 Statistical texture description 750
15.1.1 Methods based on spatial frequencies 750
15.1.2 Co-occurrence matrices 752
15.1.3 Edge frequency 754
15.1.4 Primitive length (run length) 755
15.1.5 Laws' texture energy measures 757
15.1.6 Local binary patterns LBPs 757
15.1.7 Fractal texture description 762
15.1.8 Multiscale texture description wavelet domain approaches 764
15.1.9 Other statistical methods of texture description 768
15.2 Syntactic texture description methods 769
15.2.1 Shape chain grammars 770
15.2.2 Graph grammars 772
15.2.3 Primitive grouping in hierarchical textures 773
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Contents xix
Index 853
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List of algorithms
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xxii List of algorithms
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List of algorithms xxiii
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Illustrator: E. S. Hodgson
Language: English
TWIN SISTERS
THE INTERRUPTED
KISS
BY
RICHARD MARSH
Author of "The Interrupted Kiss,"
"The Lovely Mrs. Blake," "Twin Sisters," etc. etc.
CHAPTER
1. The Card on the Floor.
2. While the Groom Waited.
3. "Stop, Thief!"
4. The Good Samaritan.
5. Dreaming.
6. His Wife.
7. Among Thieves.
8. The Sandwich-man.
9. The Drapery.
10. The Woman Tempted Me.
11. In the Wood.
12. "What Does it Mean?"
13. The Alcove.
14. "Who is Simmons?"
15. 'Twixt the Dark and Daylight.
16. The Lacquered Club.
17. Sleepers Awakened.
18. In Bed.
19. The Two Women.
20. The Leather Bag.
21. An Envelope.
22. The Countess and Violet.
23. The Latest Story.
24. 2A Cobden Mansions.
25. Julia Spurrier.
26. Happiness!
27. A Game of Billiards.
28. An Irregular Visitor.
29. The Visitor Remains.
The Story of what Happened after the
30.
Easter Ball.
31. Asking Forgiveness.
32. In the Taxicab.
33. "Vi!"
34. Some Letters and a Telegram.
"A straight." The men all bent over to look. "King high--there you
are, nine, ten, knave, queen, king; a mixed lot, but they'll take some
beating."
"You're right, they will; and I'm afraid----" He turned his hand half
over, then, letting the five cards fall uppermost on the table, sat and
stared at him, as if startled. It was Major Reith who announced the
value of the hand.
"A full and ace high--he's got you, Jack; a bumper, Sydney."
"What will you take for it, Sydney?" asked George Pierce.
Dodwell met his eager gaze with a calmness which, in its way,
was almost ominous.
"I dropped no card." He drew his chair a little away from the table
so as to enable him to see the floor. "I didn't know it, but there does
seem to be one down there."
"Unless some good fairy removed it since you dropped it, there
was bound to be. Draycott, would you mind picking up that card?"
"Exactly, which was possibly the reason why Beaton dropped it;
with the nine of spades he could hardly have made a full."
Beaton rose to his feet, his face flushed, his tones raised.
"I'm insinuating nothing. You are the dealer; there's a pack close
to your hand; you gave yourself three cards; I saw you glance at
them, then drop one on to the floor, and take another off the top of
the pack--in the hope, I presume, that it was a better one. It clearly
was; the card you dropped was the nine of spades; the hand you
have shown there consists of three aces and a pair of knaves; I can't
say which was the card you took from the top of the pack, but it was
one of them, and it certainly gave you the full."
Beaton had gone red, then white; and now one felt that
something must have happened to the muscles of his face, its
expression seemed to have become so set and rigid. Major Reith,
who was the oldest man present, broke the silence.
"Dodwell, please be careful what you say. Come, Sydney, tell him
he is mistaken."
"You saw Beaton drop one of the three cards he gave himself, and
take another off the top of the pack?"
But they did not allow him to get at his accuser, for they held him
back; and they were five or six to one. Major Reith spoke.
"Don't make bad worse, Beaton, please; this is not a matter with
which you can deal on quite those lines. Do we understand you to
deny what Dodwell and Draycott say?"
The fact was, Beaton had not only had his share of wine at the
table, he had been drinking since, liqueur after liqueur. Trifles of that
kind, when in sufficient numbers, do not tend to cool a young man's
already heated brain. For longer than they supposed Sydney had not
been his real self; many and various were the causes which had
been tending to make him lose his balance. Then, in that supreme
moment, when he needed to keep his head more than ever in his
life, he lost his balance altogether and played the fool.
He tried to get at the major, but of course they would not let him.
For a few minutes there was a discreditable scene; Beaton behaved
like a lunatic. Those who tried to keep him from attacking Major
Reith he fought tooth and nail. Between them he was borne to the
ground, then, as if he had been some wild beast, they had to drag
him out of the room, and fling the door to in his face.
Two days before that fatal night Sydney Beaton had gone down to
see his brother, Sir George Beaton, head of the family, and
practically its sole representative, in his old home at Adisham, in the
County of Wilts. The visit had been of the nature of a forlorn hope.
Sydney wanted help, pecuniary help, as he had done more than
once before. He was in a very tight place. He had piled folly on to
folly, and just lately he had surmounted the pile with the biggest of
the lot. If he could not get money quickly matters would go very ill
with him. Money-lenders and all those sort of people were not to be
persuaded; he owed them already more than they ever expected to
get. Nor did he know of any friend or acquaintance who would be
likely to do what he required; his credit was bad even among them.
He did not think he would be able to get the money from his
brother; George had told him on a previous occasion that he would
never let him have another farthing; there was evidence that he
meant to keep his word. Still, Sydney had to try lest worse befell.
"But you--you're the limit. In the sense in which they use the
word in the stable, you're a rogue. You're worse than an unbroken,
bad-tempered colt; you're not safe either to ride or drive. You're
absolutely certain to come a cropper, and probably a bad one. I give
you my word that I have no intention, if I can help it, of letting you
bring me down with you. You know, I'm not a rich man; I want all
the money I've got for my own use----"
Sydney did go, after some very unbrotherly words had been
exchanged; but he did not catch the last train. The last train from
that part of the world left early; another interview which
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