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Creative Commons: Technology, Norms & Creation
This document discusses the relationship between technology, social norms, and copyright law. It argues that copyright is not inevitable, but based on technological and social conditions. While copyright law was originally intended to encourage creation, empirical evidence shows that financial compensation is not always necessary for creation. The document also discusses how the internet has disrupted traditional business models and communication monopolies. It proposes that copyright law struggles to keep up with technological and social changes, and that normalizing formerly abnormal behaviors online is inevitable. Solutions discussed include expanding the number of jurisdictions and languages that Creative Commons licenses are available in.
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Creative Commons: Technology, Norms & Creation
- 1. Creative Commons: Technology,Norms & Creation Mathias Klang: @klang67
- 2. Culture is inevitable,copyright is not
- 3. Copyright is allabout fixation
- 4. Fixation is allabout technology & social norms
- 5. I do notagree with what you have to say, but I'll defend to the death your right to say it. Voltaire Technology 300 years ago…
- 6. Statute of anne1710
- 7. Modern copyright law is fixed in the 1950s “These are not the norms you’re looking for”
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- 10. 2 dominant myths 1.No cash, No Creation 2. Everything Is property
- 12. EMPIRICAL proof cashNOT A REQUIREMENT FOR CREATION… But geeks are different?
- 14. PROVED STALLMAN’S IDEASSCALED & APPLIED TO NON-SPECIALIST GROUPS And still we cling to the economic & creative myth
- 15. Law fighting technological & social inevitability
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- 18. The theoretically possiblebecomes the inevitable
- 19. Blogger 1999 Google 1999 End of communications monopoly
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- 21. "Out of thisanarchy… what was governing the infinite monkeys now inputting away on the Internet was the law of digital Darwinism, the survival of the loudest and most opinionated.” Andrew Keen: Cult of the amateur (2007)
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- 24. “The first thingwe do, let's kill all the lawyers”
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- 28. 36 Languages Armenian Belarusian Castellano Castellano (España) Català Deutsch Eesti English Esperanto français hrvatski Italiano Latviski Magyar Nederlands Người Việt/Tiếng Việt Norsk polski Português Português (BR) română srpski (latinica) Suomeksi svenska Türkçe čeština Ελληνικά Русский српски العربيةไทย ქართული 中文 ( 香港 ) 日本語 華語 ( 台灣 ) 한국어
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- 42. Does it work? Licenseor contract Different jurisdictions?
- 43. Germany 2011 Israel 2011:TA 3560/09, 3561/09, Avi Re'uveni v. Mapa inc. Belgium 2010: 09-1684-A (Lichôdmapwa v. L'asbl Festival de Theatre de Spa) The Netherlands, 2006: Curry v. Audax Spain 2006: SGAE v. Fernandez Case law
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- 54. http://animalphotos.info/a/ http://carpictures.cc/cars/photo/ http://www.compfight.com/ http://creativity103.com/ http://flickr.com/creativecommons/ BILDER http://www.geograph.org.uk/ http://photoeverywhere.co.uk/ http://en.sevenload.com/
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- 56. http://blip.tv/ http://www.ourmedia.org/ http://one.revver.com/ http://youtube.com VIDEO
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- 58. Mathias Klang klang@ituniv.se or @klang67 www.digital-rights.net Image & licensing info in the notes section of slides. Images at www.flickr.com (or specifically stated). This ppt licensed: Creative Commons BY-NC-SA Download presentation www.slideshare.net/klang
Editor's Notes
- #2 Please Keep to the Paths By C. G. P. Grey cc by
- #3 The best days are not planned by Marcus Hansson cc by
- #4 Trondhjems Katedralskole - Avgangskullet 1917 By Trondheim Byarkiv cc by
- #5 Library from ellen forsyth cc by nc sa
- #7 birds eye view by wrote cc by Statute of Anne 1710 LAG OM ÄGANDERÄTT TILL SKRIFT (1877)
- #9 Upphovsrätten bygger på idén att det alster som någon, vem som helst, du eller jag, eller någon annan, skapat , också skall ha rätt att bestämma över detta verk på samma sätt som om det vore en ägodel . Om man ser upphovsrättens verk som en sak , är det lättare att förstå hur principerna och regelkomplexet runt detta. Ingen av oss skulle väl kunna tänka sig att utan lov , gå in till grannen och ta med sig de saker som finns där efter tycke och smak. Dessutom är det brottsligt och kallas för stöld . När det gäller upphovsrätten gäller samma regler, fast vi använder andra ord, upphovsrättsintrång t ex. Att skydda upphovsrätten har ansetts vara viktigt över hela världen. Det finns världsomspännande regler på området. Bernkonventionen från 1898 är den äldsta.
- #10 Playing Wordfeud By mariahagglof cc by
- #11 Portable sudio- Whisper by abrahamhyat cc by nc sa
- #12 Thinking Stallman by nauj27 cc by nc sa
- #13 Prego from marcodede cc by
- #14 800px-JimmyWalesJI5 by joi ito cc by (Cropped)
- #15 primus inter pares from leg0fenris cc by nc nd
- #16 Heroes from Gastev cc by
- #17 Informationspolitik 30 november 2005 Mathias Klang <klang@informatik.gu.se>
- #18 Rugosity From Evil Erin cc by
- #19 Running into the light... from 85mm.ch cc by
- #20 2001 Wikipedia, Tripadvisor 2002 Linkedin 2003 Pirate Bay, MySpace, Second Life, Wordfeud 2004 Facebook, digg 2005 Youtube 2006 Twitter, Spotify, Slideshare 2007 iPhone 2009 Klout, Farmville, Quora, Foursquare, Kickstarter 2010 Wordfeud, Instagram 2011 Google+
- #24 Shut Happens from alancleaver_2000 cc by
- #25 The shark By Miguel Pires da Rosa cc by sa Henry VI (Part 2) Act 4, scene 2 - William Shakespeare
- #26 Creative Commons from karindalziel cc by.jpg
- #30 Four friends with their shadows - IMG_1807 BW ed + cr Four friends with their shadows - IMG_1807 BW ed + cr cc by nc sa
- #31 Upphovsmannen skall omnämnas i skälig omfattning : namn eller pseudonym skall uppges. Namnet på verket : Om verket saknar namn faller naturligtvis kravet. Länk till verket : Om det är praktiskt möjligt bör man länka till verket. Bearbetade Verk : För bearbetade verk bör man berätta hur den ursprungliga verket har bearbetats. Bevara hänvisningar till upphovsrätt. Om en upphovsman använder (c) Andersson måste man behålla denna text. Länk till licensen.
- #35 Day 78 - Peace by lintmachine cc by nc sa
- #36 free art sign by by my dog sighs cc by
- #37 Freedom from _ambrown cc by nc
- #38 Got blood? by drurydrama (Len Radin) cc by nc sa
- #39 Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
- #40 Carl Curman Stockholm, Sweden View towards the Old Town and the Southern part of Stockholm city. Vy mot Gamla stan och Söder. Parish (socken): Stockholm Province (landskap): Uppland Municipality (kommun): Stockholm County (län): Stockholm Photograph by: Carl Curman Date: 1900 Format: Cyanotype Persistent URL: www.kms.raa.se/cocoon/bild/show-image.html?id=16000300029623 Read more about the photo database (in english): www.kms.raa.se/cocoon/bild/about.html
- #43 My manta ray's alright... by dachalan cc by nc sa
- #44 Brown Bagged Goof from privatenobby cc by nc sa
- #45 never to be seen again from *sean cc by
- #52 Protection 4 from Jasmin Cormier cc by nc Creative Commons – en guide för lärare Skolverket
- #53 creative commons -Franz Patzig- from A. Diez Herrero cc by nc sa
- #54 Salute from notic cc by nd
- #55 snail love by Adam Foster | Codefor cc by nc nd
- #56 Day 14 - Visual Representation of a Reading List by margolove cc by nc sa
- #57 _ 凝望幸福，看不荒的恆海 ｡ by eliot. cc by nc sa
- #58 Eyes ! (Youth from Antikythera!) by agelakis cc by nc sa