Starting Out with C++ From Control Structures

through Objects Brief Version 9th Edition Gaddis

Test Bank pdf download

https://testbankfan.com/product/starting-out-with-c-from-control-
structures-through-objects-brief-version-9th-edition-gaddis-test-
bank/
We believe these products will be a great fit for you. Click
the link to download now, or visit testbankfan.com
to discover even more!

Starting Out with C++ From Control Structures through

Objects Brief Version 9th Edition Gaddis Solutions
Manual

https://testbankfan.com/product/starting-out-with-c-from-control-
structures-through-objects-brief-version-9th-edition-gaddis-
solutions-manual/

Starting Out with C++ From Control Structures through

Objects Brief Version 8th Edition Gaddis Test Bank

https://testbankfan.com/product/starting-out-with-c-from-control-
structures-through-objects-brief-version-8th-edition-gaddis-test-
bank/

Starting Out With C++ From Control Structures Through

Objects 7th Edition Tony Gaddis Test Bank

https://testbankfan.com/product/starting-out-with-c-from-control-
structures-through-objects-7th-edition-tony-gaddis-test-bank/

Biopsychology 8th Edition Pinel Test Bank

https://testbankfan.com/product/biopsychology-8th-edition-pinel-
test-bank/
Guide to Computer Forensics and Investigations 4th
Edition Nelson Solutions Manual

https://testbankfan.com/product/guide-to-computer-forensics-and-
investigations-4th-edition-nelson-solutions-manual/

Shelly Cashman Series Microsoft Office 365 and Access

2016 Intermediate 1st Edition Pratt Test Bank

https://testbankfan.com/product/shelly-cashman-series-microsoft-
office-365-and-access-2016-intermediate-1st-edition-pratt-test-
bank/

Modern Principles of Economics 3rd Edition Cowen Test

Bank

https://testbankfan.com/product/modern-principles-of-
economics-3rd-edition-cowen-test-bank/

Journey of Adulthood 8th Edition Bjorklund Solutions

Manual

https://testbankfan.com/product/journey-of-adulthood-8th-edition-
bjorklund-solutions-manual/

Calculus Single Variable Canadian 8th Edition Adams

Solutions Manual

https://testbankfan.com/product/calculus-single-variable-
canadian-8th-edition-adams-solutions-manual/
Economics 4th Edition Krugman Test Bank

https://testbankfan.com/product/economics-4th-edition-krugman-
test-bank/
Starting Out with C++ from Control Structures to Objects, 9e (Gaddis)
Chapter 7 Arrays and Vectors

TRUE/FALSE

1. The amount of memory used by an array depends on the array's data type and the number of elements
in the array.

ANS: T

2. An array initialization must be all on one line.

ANS: F

3. When you pass an array as an argument to a function, the function can modify the contents of the
array.

ANS: T

4. C++ limits the number of array dimensions to two.

ANS: F

5. If you attempt to store data past an array's boundaries, it is guaranteed to cause a compiler error.

ANS: F

6. An individual array element can be processed like any other type of C++ variable.

ANS: T

7. In C++11 you cannot use a range-based for loop to modify the contents of an array unless you
declare the range variable as a reference variable.

ANS: T

8. In C++11 the range-based for loop is best used in situations where you need the element subscript for
some purpose.

ANS: F

9. Although two-dimensional arrays are a novel idea, there is no known way to pass one to a function.

ANS: F

10. Each individual element of an array can be accessed by the array name and the element subscript.
 ANS: T

11. If an array is partially initialized, the uninitialized elements will be set to zero.

ANS: T

12. The following statement is a valid C++ definition:

double money[25.00];

ANS: F

13. Assume array1 and array2 are the names of two arrays. To assign the contents of array2 to
array1, you would use the following statement:
array1 = array2;

ANS: F

14. A vector object automatically expands in size to accommodate the items stored in it.

ANS: T

MULTIPLE CHOICE

1. Unlike regular variables, __________ can hold multiple values.

a. constants
b. named constants
c. arrays
d. floats
e. None of these
ANS: C

2. The individual values contained in an array are known as

a. parts
b. items
c. constants
d. elements
e. None of these
ANS: D

3. To access an array element, use the array name and the element's ___________.
a. data type
b. subscript
c. value
d. name
e. None of these
ANS: B
4. By using the same ___________ you can build relationships between data stored in two or more
arrays.
a. array name
b. data types
c. subscript
d. arguments
e. None of these
ANS: C

5. The name of an array stores the __________ of the first array element.
a. value
b. memory address
c. element number
d. data type
e. None of these
ANS: B

6. Which of the following is a valid C++ array definition?

a. int nums[0];
b. float $payments[10];
c. void numbers[5];
d. int sizes[10];
e. None of these
ANS: D

7. Which of the following is a valid C++ array definition?

a. int array[0];
b. float $payments[10.23];
c. int numbers[5.6];
d. int scores[25];
e. None of these
ANS: D

8. If you leave out the size declarator in an array definition

a. you must furnish an initialization list
b. you are not required to initialize array elements
c. all array elements default to zero values
d. your array will contain no elements
e. None of these
ANS: A

9. An array can store a group of values, but the values must be

a. the same data type

b. integers and floating-point numbers
c. integers
d. constants
e. None of these
 ANS: A

10. An array's size declarator must be a __________ with a value greater than __________.

a. number, one
b. number, zero
c. constant integer expression, zero
d. variable, -1
e. None of these
ANS: C

11. Subscript numbering in C++

a. can be set at runtime

b. can begin with a value defined by the programmer
c. varies from program to program
d. begins with zero
e. None of these
ANS: D

12. Arrays must be __________ at the time they are __________.

a. sized, executed
b. re-scoped, deleted
c. initialized, declared
d. compiled, typed
e. None of these
ANS: C

13. This following statement shows an example of ___________.

int grades][ ] = {100, 90, 99, 80};
a. default arguments
b. an illegal array declaration
c. an illegal array initialization
d. implicit array sizing
e. None of these
ANS: D

14. Given the following declaration, where is the value 77 stored in the scores array?
int scores[] = {83, 62, 77, 97, 86}
a. scores[0]
b. scores[1]
c. scores[2]
d. scores[3]
e. scores[5]
ANS: C

15. An array can easily be stepped through by using a

a. a for loop
 b. a reference variable
c. an array prototype
d. a null value
e. None of these
ANS: A

16. The range-based for loop in C++11 is designed to work with a built-in variable known as
a. the counter
b. the i variable
c. an iterator
d. the range variable
e. None of these
ANS: D

17. A(n) __________ can be used to specify the starting values of an array.

a. initialization list
b. array name
c. subscript
d. element
e. None of these
ANS: A

18. An array with no elements is

a. legal in C++
b. illegal in C++
c. automatically furnished with one element whose value is set to zero
d. automatically furnished with one element, the null terminator
e. None of these
ANS: B

19. It is _________ to pass an argument to a function that contains an individual array element, such as
scores[3].
a. illegal in C++11
b. legal in C++
c. not recommended by the ANSI committee
d. not good programming practice
e. None of these
ANS: B

20. What is the last legal subscript that can be used with the following array?
int values[5];
a. 0
b. 5
c. 6
d. 4
e. 1
 ANS: D

21. How many elements does the following array have?

int values[1000];
a. 1000
b. 999
c. 1001
d. cannot tell from the code
ANS: A

22. To assign the contents of one array to another, you must use
a. the assignment operator with the array names
b. the equality operator with the array names
c. a loop to assign the elements of one array to the other array
d. Any of these
e. None of these
ANS: C

23. To pass an array as an argument to a function, pass the __________ of the array.
a. contents
b. size, expressed as an integer
c. name
d. value of the first element
e. None of these
ANS: C

24. The __________ is automatically appended to a character array when it is initialized with a string
constant.
a. array name
b. number of elements
c. value of the first element
d. null terminator
e. None of these
ANS: D

25. An array of string objects that will hold five names would be declared with which of the following
statements?
a. string names[5];
b. string names(5);
c. string names 5;
d. String[5] = names;
ANS: A

26. A two-dimensional array can be viewed as

a. rows and columns
b. arguments and parameters
c. increments and decrements
 d. All of these
e. None of these
ANS: A

27. An element of a two-dimensional array is referred to by

a. the array name followed by the column number of the element
b. the row subscript of the element followed by the column subscript of the element
c. a comma followed by a semicolon
d. the row subscript of the element followed by the array name
e. None of these
ANS: B

28. When writing functions that accept multi-dimensional arrays as arguments, __________ must be
explicitly stated in the parameter list.
a. all dimensions
b. all but the first dimension
c. the size declarator of the first dimension
d. all element values
e. None of these
ANS: B

29. A two-dimensional array can have elements of __________ data type(s).

a. one
b. two
c. four
d. any number of
e. None of these
ANS: A

30. A two-dimensional array of characters can contain

a. strings of the same length
b. strings of different lengths
c. uninitialized elements
d. All of these
e. None of these
ANS: D

31. What will the following code display?

int numbers[] = {99, 87, 66, 55, 101};
cout << numbers[3] << endl;
a. 55
b. 66
c. 101
d. 87
ANS: A

32. What will the following code display?

 int numbers[] = {99, 87, 66, 55, 101};
for (int i = 1; i < 4; i++)
cout << numbers[i] << " ";
a. 99 87 66 55 101
b. 87 66 55 101
c. 87 66 55
d. Nothing. This code has an error.
ANS: C

33. What will the following code display?

int numbers[4] = {99, 87};
cout << numbers[3] << endl;
a. 87
b. 0
c. 99
d. garbage
e. This code will not compile
ANS: B

34. What does the following code do?

const int SIZE = 5;
double x[SIZE];
for (int i = 2; i <= SIZE; i++)
{
x[i] = 0.0;
}
a. Each element in the array is initialized to 0.0.
b. Each element in the array except the first is initialized to 0.0.
c. Each element in the array except the first and last is initialized to 0.0.
d. An error will occur when the code runs.
ANS: D

35. Which statement correctly defines a vector object for holding integers?
a. vector v<int>;
b. int vector v;
c. int<vector> v;
d. vector<int> v;
ANS: D

36. Which statement correctly uses C++11 to initalize a vector of ints named n with the values 10
and 20?
a. vector n<int>(10, 20);
b. vector<int> n = {10, 20};
c. vector<int> n {10, 20};
d. int vector n ({10}, {20});
ANS: C
37. What does the following statement do?
vector<int> v(10);
a. It creates a vector object and initializes all its elements to the value 10.
b. It creates a vector object with a starting size of 10.
c. It creates a vector object and initializes the first element with the value 10.
d. It creates a vector object that can only store values of 10 or less.
ANS: B

38. What does the following statement do?

vector<int> v(10, 2);
a. It creates a vector object and initializes the first two elements with the values 10 and
2.
b. It creates a vector object with a starting size of 2 and initializes the first element with
the value 10.
c. It creates a vector object with a starting size of 10 and initializes the first element
with the value 2.
d. It creates a vector object with a starting size of 10 and initializes all the elements with
the value 2.
ANS: D

39. This vector function is used to insert an item into a vector.

a. insert_item
b. add_item
c. store
d. push_back
ANS: D

40. This vector function removes an item from a vector.

a. remove_item
b. delete_item
c. erase
d. pop_back
ANS: D

41. This vector function returns the number of elements in a vector.

a. size
b. num_elements
c. elements
d. length
ANS: A

42. This vector function returns true if the vector has no elements.
a. has_no_elements
b. null_size
c. empty
 d. is_empty
ANS: C

43. What will the following C++11 code display?

vector<int> numbers {3, 5};
for (int val : numbers)
cout << val << endl;
a. 5
5
5
b. 3
3
3
3
3
c. 3
5
d. Nothing. This code has an error.
ANS: C
Random documents with unrelated
content Scribd suggests to you:
MARCHING WITH MORGAN. How Donald Lovell Became a Soldier
of the Revolution. By John L. Veasy.

Cloth decorative, illustrated $1.50

This is a splendid boy’s story of the expedition of Montgomery and
Arnold against Quebec.

COSY CORNER SERIES

It is the intention of the publishers that this series shall contain
only the very highest and purest literature,—stories that shall not
only appeal to the children themselves, but be appreciated by all
those who feel with them in their joys and sorrows.
The numerous illustrations in each book are by well-known artists,
and each volume has a separate attractive cover design.
Each 1 vol., 16mo, cloth $0.50
By ANNIE FELLOWS JOHNSTON
THE LITTLE COLONEL (Trade Mark.)
The scene of this story is laid in Kentucky. Its heroine is a small
girl, who is known as the Little Colonel, on account of her fancied
resemblance to an old-school Southern gentleman, whose fine
estate and old family are famous in the region.
THE GIANT SCISSORS
This is the story of Joyce and of her adventures in France. Joyce is
a great friend of the Little Colonel, and in later volumes shares with
her the delightful experiences of the “House Party” and the
“Holidays.”
TWO LITTLE KNIGHTS OF KENTUCKY Who Were the Little
Colonel’s Neighbors.
In this volume the Little Colonel returns to us like an old friend,
but with added grace and charm. She is not, however, the central
figure of the story, that place being taken by the “two little knights.”
MILDRED’S INHERITANCE
A delightful little story of a lonely English girl who comes to
America and is befriended by a sympathetic American family who are
attracted by her beautiful speaking voice. By means of this one gift
she is enabled to help a school-girl who has temporarily lost the use
of her eyes, and thus finally her life becomes a busy, happy one.
CICELY AND OTHER STORIES FOR GIRLS
The readers of Mrs. Johnston’s charming juveniles will be glad to
learn of the issue of this volume for young people.
AUNT ’LIZA’S HERO AND OTHER STORIES
A collection of six bright little stories, which will appeal to all boys
and most girls.
BIG BROTHER
A story of two boys. The devotion and care of Stephen, himself a
small boy, for his baby brother, is the theme of the simple tale.
OLE MAMMY’S TORMENT
“Ole Mammy’s Torment” has been fitly called “a classic of
Southern life.” It relates the haps and mishaps of a small negro lad,
and tells how he was led by love and kindness to a knowledge of the
right.
THE STORY OF DAGO
In this story Mrs. Johnston relates the story of Dago, a pet
monkey, owned jointly by two brothers. Dago tells his own story, and
the account of his haps and mishaps is both interesting and
amusing.
THE QUILT THAT JACK BUILT
A pleasant little story of a boy’s labor of love, and how it changed
the course of his life many years after it was accomplished.
FLIP’S ISLANDS OF PROVIDENCE
 A story of a boy’s life battle, his early defeat, and his final triumph,
well worth the reading.
By EDITH ROBINSON
A LITTLE PURITAN’S FIRST CHRISTMAS
A story of Colonial times in Boston, telling how Christmas was
invented by Betty Sewall, a typical child of the Puritans, aided by her
brother Sam.
A LITTLE DAUGHTER OF LIBERTY
The author introduces this story as follows:
“One ride is memorable in the early history of the American
Revolution, the well-known ride of Paul Revere. Equally deserving of
commendation is another ride,—the ride of Anthony Severn,—which
was no less historic in its action or memorable in its consequences.”
A LOYAL LITTLE MAID
A delightful and interesting story of Revolutionary days, in which
the child heroine, Betsey Schuyler, renders important services to
George Washington.
A LITTLE PURITAN REBEL
This is an historical tale of a real girl, during the time when the
gallant Sir Harry Vane was governor of Massachusetts.
A LITTLE PURITAN PIONEER
The scene of this story is laid in the Puritan settlement at
Charlestown.
A LITTLE PURITAN BOUND GIRL
A story of Boston in Puritan days, which is of great interest to
youthful readers.
A LITTLE PURITAN CAVALIER
The story of a “Little Puritan Cavalier” who tried with all his boyish
enthusiasm to emulate the spirit and ideals of the dead Crusaders.
A PURITAN KNIGHT ERRANT
The story tells of a young lad in Colonial times who endeavored to
carry out the high ideals of the knights of olden days.
By OUIDA (Louise de la Ramee)
A DOG OF FLANDERS A Christmas Story
Too well and favorably known to require description.
THE NURNBERG STOVE
This beautiful story has never before been published at a popular
price.
By FRANCES MARGARET FOX
THE LITTLE GIANT’S NEIGHBOURS
A charming nature story of a “little giant” whose neighbors were
the creatures of the field and garden.
FARMER BROWN AND THE BIRDS
A little story which teaches children that the birds are man’s best
friends.
BETTY OF OLD MACKINAW
A charming story of child life.
BROTHER BILLY
The story of Betty’s brother, and some further adventures of Betty
herself.
MOTHER NATURE’S LITTLE ONES
Curious little sketches describing the early lifetime, or “childhood,”
of the little creatures out-of-doors.
HOW CHRISTMAS CAME TO THE MULVANEYS
A bright, lifelike little story of a family of poor children with an
unlimited capacity for fun and mischief.
THE COUNTRY CHRISTMAS
Miss Fox has vividly described the happy surprises that made the
occasion so memorable to the Mulvaneys, and the funny things the
children did in their new environment.
By MISS MULOCK
THE LITTLE LAME PRINCE
A delightful story of a little boy who has many adventures by
means of the magic gifts of his fairy god-mother.
ADVENTURES OF A BROWNIE
The story of a household elf who torments the cook and gardener,
but is a constant joy and delight to the children who love and trust
him.
HIS LITTLE MOTHER
Miss Mulock’s short stories for children are a constant source of
delight to them, and “His Little Mother,” in this new and attractive
dress, will be welcomed by hosts of youthful readers.
LITTLE SUNSHINE’S HOLIDAY
An attractive story of a summer outing. “Little Sunshine” is
another of those beautiful child-characters for which Miss Mulock is
so justly famous.
By MARSHALL SAUNDERS
FOR HIS COUNTRY
A sweet and graceful story of a little boy who loved his country;
written with that charm which has endeared Miss Saunders to hosts
of readers.
NITA, THE STORY OF AN IRISH SETTER
In this touching little book, Miss Saunders shows how dear to her
heart are all of God’s dumb creatures.
ALPATOK, THE STORY OF AN ESKIMO DOG
 Alpatok, an Eskimo dog from the far north, was stolen from his
master and left to starve in a strange city, but was befriended and
cared for, until he was able to return to his owner.
By WILL ALLEN DROMGOOLE
THE FARRIER’S DOG AND HIS FELLOW
This story, written by the gifted young Southern woman, will
appeal to all that is best in the natures of the many admirers of her
graceful and piquant style.
THE FORTUNES OF THE FELLOW
Those who read and enjoyed the pathos and charm of “The
Farrier’s Dog and His Fellow” will welcome the further account of the
adventures of Baydaw and the Fellow at the home of the kindly
smith.
THE BEST OF FRIENDS
This continues the experiences of the Farrier’s dog and his Fellow,
written in Mr. Dromgoole’s well-known charming style.
DOWN IN DIXIE
A fascinating story for boys and girls, of a family of Alabama
children who move to Florida and grow up in the South.
By MARIAN W. WILDMAN
LOYALTY ISLAND
An account of the adventures of four children and their pet dog on
an island, and how they cleared their brother from the suspicion of
dishonesty.
THEODORE AND THEODORA
This is a story of the exploits and mishaps of two mischievous
twins, and continues the adventures of the interesting group of
children in “Loyalty Island.”
Transcriber’s Notes:
Missing or obscured punctuation was corrected.
Unbalanced quotation marks were left as the author intended.
Typographical and hyphenation errors were silently corrected.
Dialect spelling was left as the author intended.
Spelling was made consistent when a predominant form was
found in this book; otherwise it was not changed.
*** END OF THE PROJECT GUTENBERG EBOOK THE YOUNG TRAIN
MASTER ***

Updated editions will replace the previous one—the old editions

will be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the

free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only

be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project

Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United

States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is

derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is

posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files
 containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute

this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or

providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
 payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project

Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except

for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you

discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set

forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the

Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission

of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project

Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500

West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
 Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws

regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states

where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot

make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current

donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About

Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several

printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,

including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
back